Planète rouge #[nn]
Planète Rouge is a French science fiction comic series originally published by Albin Michel in 1984. This collected edition brings together the story of a mysterious red planet and its explorers, blending adventure with speculative themes typical of the era's European bande dessinée. The volume features the work of writer and artist involved in the series' creation, though specific creator credits are not confirmed for this exact collection.
In "Il viendra des pluies douces," a haunting tale from the 1984 Albin Michel collection, Walter finds himself alone in a silent Martian town, haunted by the echo of a ringing phone. When he finally answers, he connects with a woman named Miss Selsor—only to confront the unsettling reality of being the last man and the last woman on a dying world. With a quiet, melancholic tone, the story unfolds through the evocative art of Reed Crandall and the legendary cover by Wally Wood, capturing a moment of fragile connection in a vast, empty universe.
In "Il viendra des pluies douces," a silent house on a ruined Earth keeps tending to its empty rooms long after its inhabitants are gone, a haunting echo of technology outliving the ethics that should have guided it. The story, translated from the original, unfolds in quiet, deliberate detail, letting the weight of absence speak louder than any dialogue.
In the silent ruins of a forgotten Martian town, Walter stumbles upon a world frozen in stillness—until a mysterious phone rings twice, drawing him into a strange connection. When he finally answers, he speaks with Miss Selsor, only to find her far from the image he imagined. A quiet, unsettling encounter unfolds in the vast emptiness, where loneliness meets the unexpected.
In "Moi, fusée," a once-mighty war rocket—now abandoned and rusting—reflects on her past glory under Captain Lamb, recalling both her triumphs and the quiet betrayal that unfolded within her hull. Written by ? (traduction), this seven-page story unfolds through the ship’s intimate, haunting narration, blending memory and mechanical consciousness in a tale of loyalty, loss, and the hidden weight of steel.
In "Châtiment sans crime," George, shattered by his wife Katherine’s betrayal, commits a chilling act of vengeance by orchestrating the symbolic murder of a marionette replica of her—paid for, manipulated, and destroyed in a ritual that blurs the line between real and imagined violence. Written in a stark, haunting tone, the story unfolds as a quiet, unsettling exploration of guilt, control, and the cost of emotional reckoning.
In "Paria des étoiles," a struggling father dreams of sharing the stars with his children, though he can't afford a real rocket. With only a broken prototype and his last coins, he builds a fragile illusion of flight—just enough to spark wonder in their eyes.
In a quiet moment beneath a sky streaked with rocket fire, two boys watch in awe as a ship vanishes into the stars—dreaming of one day joining its journey. Years later, as they wait for the Interplanetary Patrol’s call, Chris’s life takes an unexpected turn that shatters the ordinary.
In a quiet moment on a journey spanning a million years, a family settles on Mars, drawn to a forgotten city where the past whispers through silent streets. As they explore a canal’s edge, the reflection in the water reveals something unexpected—themselves, not as they are, but as the long-lost Martians they were meant to become.
In a tense, isolated setting, Martha's growing unease about Leonard takes a bizarre turn when she begins to suspect he’s not who he seems—her suspicions spiral into confusion as she uncovers a startling truth: there are six of him. The story unfolds with quiet dread, probing the line between identity and deception in a world where nothing is as it appears.
In "Celui qui attend," Percy receives a strange plant from Alec, only to discover a tiny, eight-inch-tall girl has grown from it. When he decides to take her for himself, he prepares to use a secret solution to shrink in size and bring her into his world.
In "L'heure zéro," Mrs. Morris dismisses her daughter Jo’s game of Martian invasion as childish fantasy—until her friend Mink begins describing a Martian named Drill, and Mary uncovers that children across the country are playing the same game. With no clear answers, the lines between imagination and something far more unsettling begin to blur.
Find on ebay
Where to buy
Sell my copy
Have this issue — or a whole collection? Get a fair offer from us, skip the marketplace fees and the hassle.
We Buy Collections ▸Full credits
Reprints
↩ Reprints Weird Fantasy #15 (1952), Weird Fantasy #17 (1953), Weird Science #17 (1953), Weird Fantasy #18 (1953), Weird Fantasy #19 (1953), Weird Fantasy #20 (1953), Weird Science #20 (1953), Weird Fantasy #21 (1953), Weird Science #21 (1953), Weird Fantasy #22 (1953), Weird Science #22 (1953)
Reviews
Reader reviews
No reader reviews yet.