Movie Comics #4
☆ Be the first to review + Add to your collection — Join freeThis issue features a comic adaptation of "Soles on Fire," a mystery centered on a theater production where the titles of the show are misspelled and bodies begin appearing. An inspector and other characters investigate a series of deaths and mysterious threats related to the production, with the plot involving schemes at a tavern and complications surrounding a woman named Francesca. The story involves slapstick action and comedic elements as characters pursue leads and engage in physical confrontations while trying to solve the murders connected to the theatrical show.
Merton Gill, a dreamy grocery clerk from Tinkerton, Kansas, fancies himself a rising star after studying motion picture acting, much to the dismay of his skeptical boss, Mr. Gashwiler. When a stalled train brings Hollywood actors Lawrence Rupert and Beulah Baxter to town, Merton mistakes them for film legends and improvises a dramatic scene—only to be caught in a real-life misunderstanding with the local constable. As he scrambles to explain, Merton’s wild imagination leads him to a surprising new identity, setting him on a path from Kansas to Hollywood with a mix of hope and confusion.
In a chaotic film shoot at a supposedly haunted house, the egotistical director Ivan Porkenuff oversees a horror movie that spirals into genuine mayhem when his assistant, the scheming Rinaldo Rat, unleashes a malfunctioning robot. As Rex Collie and Cathy Poodle struggle with the mechanical menace, unexpected twists reveal hidden connections and escalating danger—leaving the fate of the crew, and especially Cathy, hanging in the balance.
In the exotic city of Tripoli, Matt Claibourne and Chips Jackson arrive on a mission to rescue captured sailors, only to find themselves entangled in a web of deception when a mysterious woman named Aleta steals the ransom gold key. As tensions rise and secrets unfold, the two Americans navigate a dangerous game of intrigue, with Francesca caught between rival suitors and a plot that threatens to expose them all.
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Reprints
Reprinted in Cowgirl Romances #10 (1952), Good Girl Art Quarterly #12 (1993), Golden-Age Greats Spotlight #8 (2012)
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