Marvel Max: The Punisher #13
In "Los Esclavistas Parte 1," Jessica Jones confronts a local pastor over a hateful sermon targeting mutants, setting off a tense chain of events that pulls her into a deeper mystery. As she tries to distance herself from a persistent admirer, Sean, she receives a surprising call from Scott Lang—only to be drawn into a chilling discovery at Edward Cross’s home, where a murder has just taken place. Written by Brian Michael Bendis and Arturo Gutiérrez, with striking art by Michael Gaydos and David Mack, and a cover by Tim Bradstreet, this issue blends personal tension with a growing sense of dread.
In "Los Esclavistas Parte 1," Frank Castle intervenes to save a woman from attackers in a dark alley, bringing her to his safe house where she reveals her name is Viorica— an undocumented immigrant from Moldova— and begins to recount the harrowing ordeal that brought her to this moment. The story unfolds with quiet intensity, grounding its grim narrative in the raw reality of human trafficking and survival.
In "null," Bob—wrongly branded a chemical attacker in Cincinnati—becomes the city’s most wanted, hunted by both law and vengeance. When Deadpool tracks him down, the two reluctantly team up with a mysterious figure known only as the "Maestra," hoping she can clear Bob’s name—only to find their quest spirals into chaos, leaving more wreckage than answers.
In "null," Jessica Jones returns to a quiet town church to confront a pastor whose anti-mutant sermon threatens to ignite fear and division. As tensions rise, she’s drawn into a tense encounter with Sean, whose persistence unsettles her—just as a phone call from Scott Lang offers a fleeting moment of connection. Later, her investigation leads her to the home of Edward Cross, where she discovers a brutal, unsettling crime that shatters the town’s fragile peace.
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↩ Reprints Alias #13 (2002), Punisher #25 (2005), Deadpool Max 2 #1 (2011)
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