Marvel Méga #11
"Entre copains" delivers a tense, character-driven X-Men tale from 1999, spotlighting Wolverine’s perilous encounter with a dangerous, disfigured mutant whose touch proves fatal. Written by Joseph Harris and brought to life with striking art by Phil Jimenez—his dynamic pencils enhanced by Keith Aiken’s inks and Shannon Blanchard’s vivid colors—this issue sees Wolverine captured by the Russian Army, who then call upon Omega Red to contain the threat. The cover, also by Jimenez with inks by Aiken, captures the intensity of the moment.
In "Entre copains," Colossus returns to Russia with his friends Kurt and Logan, seeking peace as he finally confronts the grief of his parents' deaths. But when a monstrous mutant breaks free from a hidden facility that once experimented on children, the trio finds themselves drawn into a danger far older than their personal losses.
In "Dans un pays d'enfance...", a disfigured mutant evades both the X-Men and the Russian Army, leaving a trail of deadly encounters. When Wolverine is gravely injured and captured, the Russians turn to Omega Red to end the threat—before the line between hunter and hunted blurs beyond recognition.
In "Jeunes surdoués," the X-Men’s mission in Russia reaches a tense climax as they confront a dangerous government experiment, uncovering secrets that threaten to unravel both their mission and the lives of the young mutants caught in the crossfire. With danger lurking in every shadow and loyalty tested, the team must navigate a web of deception before it's too late.
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↩ Reprints X-Men: Liberators #1 (1998), X-Men: Liberators #2 (1998), X-Men: Liberators #3 (1999), X-Men: Liberators #4 (1999)
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