Marilyn #197
☆ Be the first to review + Add to your collection — Join freeIn "It Was Magic Mistletoe," Sally finds herself torn over Johnny—caught between affection and frustration—just as the girls plan a dance to invite the boys from Spicer's Buildings. With hopes of stirring some jealousy, Sally sets the scene, but the holiday spirit might have a mind of its own. Written by Jim Edgar and illustrated by Robert MacGillivray (with inks by the same), this 1958 slice of suburban charm captures teenage emotions with a touch of whimsy.
In "null," Pam’s impulsive kiss on a popular singer during a dare sets off a chain of events that spiral beyond her control. As the night’s moments make headlines, the fallout threatens to destroy the singer’s reputation—leaving Pam caught between her fleeting moment of bravado and the real consequences of her actions.
In a quiet moment beneath the holiday glow, the gipsy whispers a name to Wanda—tall, fair, and starting with R—and hints she’s already met him. Now she’s left wondering if the man she’s been thinking of is the one, especially if it’s not Roy Benton.
In "Stop Feudin', You Two," Sally’s volatile feelings for Johnny reach a peak—she’s torn between wanting to comfort him and wanting to shake some sense into him. When the girls plan a dance to invite the boys from Spicer's Buildings, Sally secretly hopes it’ll stir something in Johnny. But with emotions running high and tempers flaring, the real test may be whether they can keep their act together long enough to make it through the night.
In the dusty heat of the Outback, Liza races toward the Badlands after learning her father’s knife has been found there—her only clue to his fate. Dirk, torn between loyalty and fear, vows to stop her, knowing the journey could cost her everything.
In "Write Him Off, Sister!" from Marilyn #197 (1958), Babs wrestles with doubt as she hesitates before mailing a letter to Tom, her former lover, ready to end their relationship. The part-time postman, far from offering comfort, listens with quiet detachment, leaving her to face her decision alone.
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