Mad #246
☆ Be the first to review + Add to your collection — Join freeIn "Framing Sequence," Dave Berg delivers his signature satirical take on everyday frustrations, from dodging auto repair bills to surviving family dinners and the endless battle to stay awake. With crisp, deadpan humor and perfectly timed panels, this 1984 issue of Mad captures the absurdity of modern life with wit that’s as sharp as Jack Davis’s iconic cover art.
In a satirical take on *Trading Places*, two wealthy white men stage a social experiment that swaps the lives of a privileged white man and a Black man from the inner city—plunging them into each other’s worlds with no warning. The setup is sharp, the premise absurd, and the tone gleefully irreverent, all delivered in the classic, typeset lettering style of Mad magazine.
In "The Lighter Side of..." from Mad #246, a stream of absurdly relatable daily frustrations—from dodging the dentist to surviving a mother’s phone call while dieting—unfolds in sharp, deadpan humor, all rendered in the magazine’s signature typeset lettering. Each tiny vignette captures the quiet chaos of modern life with a wink, turning mundane struggles into comedic gold.
In "Spy Vs. Spy," the Black Spy attempts a daring rooftop heist, rigging a makeshift trapeze to swing up and snatch a bag of plans from the White Spy’s window—only to find the flagpoles outside are rigged with traps meant to thwart just such a move.
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Reprinted in Mad #164 (1984), Mad #165 (1984), Mad Special [Mad Super Special] #69 (1989), Mad Special [Mad Super Special] #71 (1990), Mad Special [Mad Super Special] #72 (1990), Mad Special [Mad Super Special] #102 (1995), Mad for Decades #[nn] (2007), Mad #29 (2023)
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