Kit Carson #8
☆ Be the first to review + Add to your collection — Join freeKit Carson faces Apache and Cheyenne warriors on the warpath after discovering that a Ute war arrow and an Osage lance have been found, indicating multiple tribes are gathering to push white settlers out of the West. Wild Bill must stop the scouts before they can coordinate the tribes, but his efforts are complicated when an artist named Antelope breaks his hands in a fall and becomes hospitalized. The story also features a secondary narrative about Wild Bill Hickok's confrontation with the outlaw Sam Bass, a notorious Texas desperado who robs stage coaches and railroad trains until Hickok defeats him in a saloon showdown in Deadwood.
Kit Carson intercepts a supply train under siege by the ruthless Mexican bandit Esteban and his army, but soon discovers the real stakes: $200,000 in precious cargo and munitions destined for settlement. When an Apache warrior named Ba-Tu-Mo offers to help—for a cut of the spoils—Kit refuses to bargain with treachery, choosing instead to defend the train on principle alone. As the bandits close in for a final assault under cover of darkness, Kit must trust his wits and courage to survive the night without selling out his convictions.
Wild Bill Hickok, Army scout for the Seventh Cavalry, stumbles upon Cheyenne boy Antelope fleeing from Mescalero Apaches—and realizes the raid signals something far larger: tribes across the plains are gathering to unite against the westward advance. When Antelope is captured by the war party and taken deeper into hostile territory, Hickok discovers the boy has found an ingenious way to leave a trail, setting the stage for a desperate race to stop the confederation before it forms.
Wild Bill Hickok uncovers a cunning scheme when Stella Dawn and her medicine show roll into Hays City—her traveling wagon masks a clever operation to rob the local bank while her magic act keeps the town distracted. As Hickok pieces together clues from an old acquaintance and a suspicious prop, he sets out to stop the heist before Stella and her gang can make off with their stolen fortune.
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↩ Reprints Kit Carson #3 (1951), Wild Bill Hickok #10 (1952), Wild Bill Hickok #11 (1952)
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