I Classici Americani I Racconti del Terrore #9
"Intrappolati" delivers a chilling tale from the classic horror anthology I Racconti del Terrore, penned by Al Feldstein and Carlo Donato with stark, haunting art by George Evans. When three construction men flee after a deadly cover-up, their escape takes a terrifying turn when their small plane becomes ensnared in the web of a colossal spider—no explanation, just dread. The story’s eerie atmosphere is perfectly captured in Al Feldstein’s cover art, a striking image that sets the tone without revealing a single twist.
In "Intrappolati," three construction business partners face a terrifying reckoning after their negligence leads to the deaths of twenty-one hospital patients. Fleeing the scene in a small plane, one of them crashes into the web of a colossal spider, leaving him trapped in a nightmare he may never escape.
In "Pipistrelli nella testa," an actor haunted by sudden deafness seeks help from a mysterious healer recommended by a friend. The man offers a radical solution: transplant the senses of a bat, promising restored hearing—though the procedure brings far more than just sound. As his senses sharpen, the actor begins to change in ways he never expected, unraveling the true nature of the creature he now hosts.
In "Tagliando il mazzo," two bitter rivals, bound by decades of mutual disdain, settle their feud with a game of chop poker—a deadly twist on strip poker where each player must sever a limb with a cleaver. With their doctors as seconds and the stakes higher than ever, the game spirals into a grim test of will, each man pushing past pain and reason to claim victory.
In "Qualcuno prende dello sformato?", a disgraced elephant trainer, haunted by a past act of betrayal, returns to the town where he once orchestrated a deadly deception. With his new wife and a freshly trained elephant, he tries to bury his guilt—until the dead wife and the slain beast rise from the grave, demanding retribution.
In "Judy, oggi non sei la stessa!", a desperate man uses a crone’s dark magic to swap bodies with his young wife, only to find himself trapped in a life he never wanted. As the line between identity and possession blurs, he must outwit the woman he’s now trapped inside—before she realizes the truth.
In *La signora Barbablù*, a mother's twisted devotion to her late mother's memory drives her to a chilling ritual: each year, she kills a new husband, disguising the murders as accidents, and preserves them as trophies. When her seventh victim survives the crash she orchestrated, she must finish the job herself—only to find that the dead have a different plan. The story unfolds in eerie silence, where the wind carries whispers and the graves begin to stir.
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↩ Reprints Tales from the Crypt #24 (1951), Tales from the Crypt #25 (1951), Tales from the Crypt #27 (1951), Tales from the Crypt #32 (1952)
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