I Classici Americani Fantascienza Horror #6
In "Il verme si rivolta!", Vaughn and the survivors of a crashed spaceship find themselves trapped on a colossal world where they are hunted by a monstrous native creature—a gigantic space worm. As the crew struggles to survive, Vaughn is forced to confront the cruel treatment of animals, learning the hard way that the line between predator and prey is far more complex than he ever imagined.
In "Semplicemente umano!", a quiet romance blooms between Andrew Harmon and Miss Landers as they work together to teach an electronic brain. But when the machine starts to develop its own feelings—especially for Miss Landers—the line between human emotion and artificial intelligence begins to blur.
In "Masticati!", a simple-minded farmer's amateur radio call to aliens sets off a chain of events that brings the military crashing into his quiet life. As they prepare for an extraterrestrial arrival, strange reports surface about giant white objects destroying the visitors—until a soldier’s bite into a hotdog reveals a shocking truth: the aliens were never what they seemed, and their arrival was far more literal than anyone imagined.
In "Gli alieni!", two spaceship crews from the second and fourth planets stumble upon the third planet, unaware they’re both there. A simple miscommunication sparks panic, leading each group to flee and conclude the third planet is a dangerous threat—so dangerous, they each decide to wipe it out before it can strike first.
In "Riduzione dei costi!", two struggling arena owners face ruin as rival "The Garden" draws ever-larger crowds. Desperate, they turn to a scientist who promises a radical solution: shrinking spectators so more can fit in the same space. But when the process goes awry, the unintended consequences begin to unfold in ways no one could have predicted.
In "Perché papà è andato via?", a young boy’s desperate search for answers about his father’s sudden departure takes a mind-bending turn when he’s suddenly thrust 25 years into the past. What begins as a quest to understand his father’s absence becomes a haunting journey through memories that blur time and identity.
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↩ Reprints Weird Science #7 (1951), Weird Science #9 (1951), Weird Science #10 (1951), Weird Science #11 (1952), Weird Science #12 (1952)
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