Hulk #23
In "Bruce Banner ist der Hulk!", Stan Lee and Hartmut Huff team up with Jack Kirby’s dynamic art—inked by Chic Stone and colored by Stan Goldberg—to deliver a standout issue in the 1975 Hulk series. This story, set in a world where the Hulk’s true identity is under scrutiny, features a bold twist that redefines the character’s origin in a way that’s both surprising and deeply rooted in the era’s sci-fi sensibilities. The cover, penciled by Kirby and inked by John Romita, captures the moment of revelation with striking intensity.
In "Bruce Banner ist der Hulk!" from Hulk #23 (1975), the Hulk faces off against the Executioner in a clash that could decide the fate of Earth’s future—though the outcome remains uncertain. After the battle, the Hulk returns to his own time, leaving behind a fractured timeline and a desperate Rick, who, cornered by the military and believing Banner and the Hulk are gone, finally reveals the truth to Talbot.
In "Magnetos letzter Triumph!", the X-Men are sent to investigate a mysterious presence on Earth, only to find the Stranger—alien emissary and collector of cosmic mutants—already in contact with Magneto and the Brotherhood. As tensions flare and the team confronts the Brotherhood, the Stranger departs with Magneto and Toad, leaving the X-Men to grapple with the revelation that their enemy has been part of a far larger, interstellar scheme.
In "Der Mann, der niemand war!", a man with no official record finds himself trapped in an asylum after being deemed nonexistent—until his very existence becomes a threat. Written by ? (Übersetzung), this eerie 1975 tale unfolds in just five pages, probing the chilling reality of being erased by the system.
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↩ Reprints Journey into Mystery #15 (1954), The X-Men #11 (1965), Tales to Astonish #77 (1966)
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