Goodnight, Irene #[nn]
☆ Be the first to review + Add to your collection — Join freeThis volume collects the complete run of the 2007 series Goodnight, Irene, published by Last Gasp. The story follows the titular character, Irene, a hard-boiled female private investigator navigating a gritty, noir-inspired world of crime and corruption. The collection showcases the series' distinctive art and storytelling style, blending pulp detective tropes with a modern sensibility.
In "Face the Facts of Love," Irene finds herself stranded on a strange island with Debbie, a plus-sized woman, and Irma, a giraffe woman, after being kidnapped by the enigmatic Bryce Setruse—whose second head is an evil Siamese twin. As Setruse’s twisted plans unfold and a severed head is reattached with unsettling precision, Irene begins to see the truth behind his obsession. Meanwhile, Kurt’s desperate search for her leads him to financial ruin and a humbling plea for help. With a surreal blend of intimacy and absurdity, Carol Lay crafts a story where love, identity, and reality blur on the edge of madness. The entire story, from script to inks, is a singular vision by Carol Lay, with her distinctive art defining both the narrative and the cover.
In "Face the Facts of Love," heiress Irene Van De Kamp—raised by Bongodians who shaped her face into a duck-like form—struggles to find love in a world that sees her as an outsider. After leaving the tribe with white traders who recognize her true identity, she finds unexpected connection with Kurt, a blind man who sees past her appearance—until a single touch sends him fleeing.
In "Polite Society," Irene, cloaked in mystery with her face hidden, is drawn into a bizarre cosmetics party where her true appearance sparks shock—except for one little girl who thinks it’s awesome. Meanwhile, Kurt, who’s just learned Irene is a wealthy heiress, searches her empty mansion, wondering what he’s missed.
In "Beauty and the Beast with Two Heads," Irene finds herself stranded on a bizarre island with Debbie, a plus-sized woman, and Irma, a giraffe-like creature, after being kidnapped by the eccentric Bryce Setruse—whose second head is a malevolent Siamese twin. As Setruse's duality unravels and jealousy sparks a violent twist, Irene must navigate surreal alliances and unsettling revelations, while Kurt, far away, faces his own misfortunes. With humor and absurdity at its core, the story explores strange connections and the line between loyalty and madness.
In "Dreamland," Jo drifts through a surreal, sun-drenched fantasy as Erma pilots the boat, while across town, Kurt’s desperate call to his brother Jay spirals into a wild, imaginative escape—both dreams vivid, absurd, and utterly unconnected to reality.
In "Brotherly Love," Jo finds herself caught in a web of deception when her sister Erma offers help managing her business—only for Jay to return with Kurt, who quickly draws Irene into a complicated entanglement. As secrets unfold and tensions rise, old alliances shift, and a tense moment outside the house reveals a hidden conspiracy that could unravel everything.
In "About Face," Lila’s desire to resemble her mother leads her to Setruse Island, where she meets Joe—a masked student who finds her captivating even without seeing her face. When Joe finally reveals himself, Lila is left with a quiet moment of reflection, unsure whether to move forward or wait.
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↩ Reprints Good Girls #1 (1987), Good Girls #2 (1987), Good Girls #3 (1988), Good Girls #4 (1989), Good Girls #5 (1991), Good Girls #6 (1991)
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