For Lovers Only #7
☆ Be the first to review + Add to your collection — Join freeIn "Two Kisses a Month," Linda finds herself drawn to Keith, a boy whose effortless brilliance makes him seem like a hero in every way—until his perfection starts to feel like a performance. When their relationship hits a turning point, Keith’s warning about the cliffs becomes a test of trust, leading Linda on a path where she discovers his hidden fear and a courage far more real than any showmanship. Cover by Frank Bolle, this 1980 issue captures a quiet, heartfelt moment in a relationship where love is found not in perfection, but in vulnerability.
In the quiet hum of her uncle’s diner, Linda finds herself drawn to Ken, the truck driver who stops by every few weeks. As their connection deepens through fleeting visits and quiet moments, the growing distance between their lives begins to test the fragile hope of something more.
In "When She Returns," Tony and Pamela are the golden couple everyone expects to marry, but Cleo can’t help feeling something shift when Tony starts paying attention to her. As their connection deepens, Cleo wonders if his interest is real—or just a game to stir up Pamela’s jealousy—leaving her torn between hope and doubt.
In "Love Doesn't Live on Mulberry Street," Ruthie, a girl from the lower east side, finds herself caught between two worlds when she begins dating Ty, a man from a wealthy background. As their relationship deepens, the growing gap between her fabricated life and her true roots threatens to come crashing down—especially when their parents are set to meet.
In "A Love Can Die," Denise finds herself drawn to Josh’s charm, only to be left scrambling when he retreats into a pattern of emotional avoidance—distracting himself with other girls to dodge real connection. As she tries to move on, the past refuses to stay buried, and Ted’s quiet persistence forces her to confront what she thought she’d left behind.
In "Superboy's Secret," Linda finds herself drawn to Keith, a seemingly perfect boy who shines in every arena—until his effortless wins start to feel hollow. When she breaks things off, his warning about the cliff path sets off a quiet moment of reckoning, leading to a revelation that changes everything.
In "No Slave to Love!", Bev is determined to keep her career front and center, even when a chance encounter with Jim on holiday sparks something real. Though she keeps things on a careful, platonic footing, her friend Joanne isn’t about to let her stay safe—especially when love might be just around the corner.
In "Eyes on Dave," Lyn finds herself caught between pride in her boyfriend Dave and a growing unease as a new secretary arrives at work—someone few seem to like, including Lyn. As tensions rise, she realizes Dave’s reluctance to act means she’ll have to step in, even if it means facing the situation alone.
Richie returns home from the armed forces just as Marie prepares to say yes to Gordon at their engagement party—only to find the man she's set to marry is anything but the gentleman he claims to be. The night takes a surprising turn when Marie's choice begins to shift, and the real test of what matters most starts with a single, unexpected moment.
In "A Smile from a Broken Heart," Leah Bayliss, a determined singer navigating the rough edges of her dream, finds unexpected kindness in a quiet town when illness leaves her stranded. Taken in by Jim and his mother, she begins to see a different kind of life—and a new possibility—far from the spotlight.
In "Not His Type," staid Jonathan escapes to Hawaii on his doctor’s orders, only to find himself unexpectedly drawn to the bold and vibrant Gina—though he’s already engaged to Muriel. The story quietly explores the tension between duty and desire, set against the sun-drenched backdrop of a tropical getaway.
When Sherry lands a role as an extra in a movie starring heart-throb Marlo Kent, she’s surprised to find herself drawn into a quiet, unexpected connection—especially as Marlo begins to show genuine interest. The pages unfold with tender moments and subtle glances, capturing the quiet magic of a romance blooming behind the scenes.
In "From Another World," Derek Morse finds himself drawn to Amelia Tryon, a young woman sheltered from the modern world by her grandparents, during the chaotic setup of a remote rock festival. As the music and energy of the event unfold, Amelia begins to discover a life beyond her secluded upbringing—and a connection with Derek that feels both thrilling and uncertain.
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Reprints
↩ Reprints Hollywood Romances #48 (1968), Sweethearts #101 (1968), Romantic Story #98 (1969), Teen Confessions #60 (1970), Sweethearts #120 (1971), For Lovers Only #63 (1972), I Love You #98 (1972), Sweethearts #130 (1972), Sweethearts #131 (1973), Love and Romance #15 (1973), Valentine #24 November 1973 (1973), Time for Love #37 (1973), Valentine #19 January 1974 (1974), My Only Love #8 (1976), Love Diary #102 (1976)
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