Fantomet #13/1989
In "Selvmord etter noter," The Spirit confronts a chilling mystery when Sasha the Saxophonist’s haunting melodies begin driving listeners to despair. With the help of Politimester Dolan and his daughter Ellen, The Spirit uncovers a dark truth: Sasha’s music holds a power far beyond mere emotion, and its influence has drawn the attention of the Gestapo, who exploit it for their own twisted ends. As the city descends into sorrow, one question remains—what happens when the man who plays the sad song finally chooses to play something else?
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Reprints
↩ Reprints The Spirit #6/28/1942 (1942), Spirou #1468 (1966), Marc Dacier #7 (1976), Lucky Luke #24 (1978), Fantomet #22/1988 (1988), Fantomen #2/1989 (1989)
Reprinted in Fantomets krønike #2/1994 (1994), Agent X9 #11/1999 (1999)
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