Epix #10/1989 (66)

In medieval France, Germain and his comrades flee from the abbey’s enforcers, led by the ruthless Favard, who has captured their ally Alda and is pressing her for information about the stolen treasure. With the abbey’s shadow closing in, the fugitives must outwit their pursuers before the past they’ve stolen from comes back to destroy them.

In "Isbjörnarnas dal del 2," Vicki’s patience with Maggie finally snaps when her assistant’s gratitude seems nonexistent, leading to a sudden dismissal. Left without a clear path, Maggie travels to the East Coast in search of Hopey, only to come up empty-handed. Eventually, she returns to California and finds refuge with Ray, stepping into a quiet, uncertain chapter of her journey.

Jo, en sorgsen skulptör med en känslig själ, får sin stund i solen när hans kvinnoskulpturer får hans medhannar att tänka om – om än bara för en stund. En humoristisk, känslig och skrattande vändning i en historia där skönhet och sarkasm möts i en värld av sten och skämt.

In "Den vita lastbilen," industrieman Eden, haunted by a disturbing encounter with a prostitute, tracks her to her apartment—only to find her dead. Haunted and unraveling, he flees the city in his white truck, spiraling into a relentless pursuit of lone workers on the road.

In "Kanshi eller hur man protesterar mot orättvis behandling från mästaren," Henzo Tatari is fired from his job at Firman and replaced by the sleek, emotionless robot UBU-12. When he resolves to end his life through harakiri, he makes a shocking discovery: he is not human, but a machine himself.