Doomsday #6
☆ Be the first to review + Add to your collection — Join freeIn "The Secret of the Walking Dead," elderly zoologist Emil Sonsine grapples with a terrifying transformation after a desperate act of mercy—transfusing blood to save a man, only to awaken a dormant werewolf curse within himself. Torn between his newfound strength and the weight of guilt, he faces a personal crisis when he discovers his beloved loves another. Sheldon Moldoff’s evocative art and Ed Moline’s sharp inks bring this 1972 tale of inner conflict and monstrous duality to life, a standout entry in the Doomsday series.
In "The Secret of the Walking Dead," scientist Peter Tam uses his role as a graveyard keeper to conduct forbidden experiments on the dead—until one night, his work awakens something far more dangerous than he intended. When he brings back a corpse with a violent past, he finds himself trapped in a nightmare he can’t control.
In "The Curse of the Crystal!" from Doomsday #6 (1972), Jonathan Lodge arrives in Salem, New England, determined to debunk the legend of his ancestor’s witchcraft. But when he uncovers a mysterious crystal housing the trapped soul of a long-dead man, his skepticism gives way to obsession—and the past begins to reclaim him.
In "The Wall of Flesh!" from Doomsday #6 (1972), nurse Sheila waits anxiously for her fiancé Johnny, unaware that evil doctor Quantrell has unleashed a living, pulsating wall of flesh designed to devour the living. As the grotesque monstrosity begins to close in, Johnny must race against time to reach her before she’s consumed.
In "Curse of the Werewolf," elderly zoologist Emil Sonsine grapples with a terrifying transformation after a desperate act of mercy leaves him cursed with lycanthropy. Torn between the beast within and his lingering conscience, he faces a painful reckoning when he discovers his long-lost love has moved on—leading to a volatile confrontation with her new suitor.
In "Showcase for Horror!", Tod Tilstrom, a window display designer with a cruel streak, meets his match when one of his grotesque mannequins comes to life—its rage a mirror to his own cruelty. Trapped in a nightmare of his own making, Tod is hunted through the store’s silent halls before being replaced in the display, his fate sealed behind glass.
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↩ Reprints Worlds of Fear #2 (1952), This Magazine Is Haunted #6 (1952), This Magazine Is Haunted #12 (1953)
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