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Der beste Horror aller Zeiten#[nn]
Cover: Al Feldstein

Der beste Horror aller Zeiten #[nn]

Jan 1973 · BSV - Williams · 9.80 DEM
🌐 German edition · synopsis shown in English
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Contains 15 stories
Auge um Auge
7 pp

In a future Earth scarred by war, holocaust, and radiation, humanity has devolved into something unrecognizable—those who still resemble true men are hunted and killed on sight. A young woman, her survival tied to her hidden normality, must navigate a world where even the faintest trace of humanity is a death sentence.

Wüstentod
7 pp

In the scorching silence of the desert, a man bound by handcuffs to a corpse struggles to survive the merciless sun. With no tools to free himself and the dead weight of his companion dragging him down, he makes a desperate choice—lying still to let vultures consume the body, hoping to escape their hunger. But when he awakens, the birds have already turned their attention to him.

Fleischers Leid
8 pp

In a war-ravaged town where hunger is a constant shadow, a butcher’s growing desperation leads him down a dark path of deception and betrayal. When his son dies from tainted meat, the grief-stricken wife takes a chillingly precise revenge—turning her husband’s own trade against him in a gruesome act of retribution. *Fleischers Leid* is a stark, unsettling tale of moral decay and the price of survival, where the line between provider and predator blurs with every cut.

Im Morgengrauen
7 pp

In "Im Morgengrauen," a man’s growing unease about a mysterious girl he encounters in the woods takes a chilling turn when his girlfriend becomes the latest victim of a true escapee—leaving him to confront the terrifying truth behind the shadows he once dismissed.

Schöner Traum
6 pp

In "Schöner Traum," Chen recounts his descent from a man seeking power through opium-fueled dreams to a broken soul haunted by the terrible weight of his visions. Each dream, once a source of fleeting control, has tragically foretold the deaths of his wife, son, and finally his daughter—whose wrongful execution leaves him utterly alone. Now, he drifts through the opium den, lost in a haze where the line between dream and reality has long since vanished.

Mitternachts-Genuss
7 pp

In the quiet town where daylight brings life but dusk brings dread, a man skeptical of legends finds himself drawn to a restaurant that shouldn’t be open—yet is. Hungry and weary, he steps inside, unaware that the menu is far more literal than he ever imagined. Mitternachts-Genuss unfolds in shadowed streets and flickering light, where the night serves more than just dinner.

Treibsandtriebe
8 pp

In the humid depths of a Louisiana swamp, a man’s isolated mansion draws unsuspecting travelers off the road—each a potential meal for his brother’s insatiable hunger. After a doctor is sacrificed, three grotesque corpses made of mismatched body parts rise from a quicksand pool, turning on their creator with a terrible precision.

Ein Weltraumleben
7 pp

In "Ein Weltraumleben," newlyweds Enid and Lon embark on a honeymoon voyage through space, but Enid’s health begins to fail during the journey. Forced to land on a distant planet, they realize she cannot survive another launch—so Lon returns to Earth alone to fetch supplies, only to encounter a strange alien being he kills, unaware of the terrible truth behind it.

Treibjagd
8 pp

In "Treibjagd," a young woman is tormented by three eerie figures who demand her name, plunging her into a nightmare of boiling water, freezing cold, electric shocks, and a shrinking room. As her mind fractures under the onslaught, she’s told she’s an inmate in an asylum—until the truth erupts: the tormentors are the ones truly imprisoned, and she is the one remembering.

Im Sumpf
7 pp

In the thick of a decaying swamp, a solitary shack stands as a grim monument to a man whose madness feeds on the lost. As the earth gives way beneath him, his fate mirrors the ones he’s buried—silent, swallowed by the mire, and finally at peace with the weight he once imposed.

Meisterrasse
8 pp

In the aftermath of World War II, a fugitive former commandant of Belsen Concentration Camp flees across Europe and into America, haunted by the specter of a single inmate who vowed revenge. Years later, his terror culminates on a train ride when he suddenly finds himself face to face with the man he thought he’d escaped forever.

Knopfaugen blicken dich an
7 pp
Friedhofsnacht
8 pp

In the storm-lashed silence of a cemetery night, Hartley—newly installed as head master of a grim facility—finds himself trapped in a nightmare he can’t escape. After witnessing inmates desecrate a corpse in a ritual meant to maintain control, he begins to fear for his own life, especially when he learns the previous head master was killed for trying to end it. Lying in his bed, staring at the skylight, Hartley is suddenly seized, bound, and sealed in a coffin with a window cut into the lid—only to wake again in the same room, convinced it was all a dream. But then, a face appears above him, and dirt rains down on his face.

Gerettet
7 pp

In "Gerettet," a G.B.I. agent infiltrates the doomed crew of the spaceship Mercury, posing as a fellow crewman to uncover the truth behind a string of mysterious deaths linked to Captain Jargot. As he uncovers the horrifying secret—Jargot using the crew’s blood to fuel the ship’s engines—his cover is blown, and he barely escapes a deadly confrontation. Saved by a fellow survivor, the agent soon learns his savior is no ordinary human, but a vampire with a chilling plan of his own for the journey home.

Kamens Kalamität
6 pp

In "Kamens Kalamität," a young artist named Jack Kamen struggles to embrace the grim tone of horror comics after being told his work is too sweet. Inspired by the grim visions of his peers—each depicted in caricatured torment—Jack retreats to his drawing board, only to fall into a dream where he commits a gruesome act under the full moon, returning to his family with a chilling menace. His reverie is shattered when his wife’s scream wakes him, startled by nothing more than a mouse.

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Full credits

writer Jack Oleck
artist, inker Angelo Torres
colorist Marie Severin
cover pencils, inks Al Feldstein

Reprints

↩ Reprints Tales from the Crypt #23 (1951), Tales from the Crypt #31 (1952), Tales from the Crypt #32 (1952), Weird Science #16 (1952), Haunt of Fear #17 (1953), Tales from the Crypt #35 (1953), Shock SuspenStories #9 (1953), Vault of Horror #32 (1953), Weird Fantasy #21 (1953), Vault of Horror #34 (1953), Vault of Horror #36 (1954), Haunt of Fear #27 (1954), Impact #1 (1955), EC Horror Library of the 1950's #[nn] (1970)

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