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Daredevil #49 cover
Cover: Gene Colan & George Klein

Daredevil #49

Feb 1969 · Marvel · 0.12 USD
📊 ~59,918 copies sold its debut month
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“Daredevil Drops Outtt [sic]”
★ 1st appearance — Samuel Saxon★ 1st appearance — Machinesmith
About this Issue

Daredevil #49 is the first appearance of Starr Saxon — the robotics criminal who would evolve across a decade into Machinesmith, one of Captain America's most persistent mechanical nemeses — making it the narrative origin point of an unusually long-running villain transformation in Marvel continuity. The issue also introduces Saxon's creation, the Plastoid, a combat-adaptive android whose scent-tracking technology was explicitly designed to defeat a superhero whose power set revolves around his remaining senses, giving the story a tight thematic logic rarely seen in Silver Age villain debuts. Equally significant is the story's continuation of the Willie Lincoln thread introduced in the socially conscious Daredevil #47, grounding this installment in street-level consequence at a moment when Marvel was still only tentatively exploring that mode. Together, these elements — a villain with genuine long-term payoff, a mechanically clever antagonist robot, and a morally weighted supporting cast — make this issue a compact but meaningful late chapter of the Lee-Colan run.

In "Daredevil Drops Outtt [sic]," Matt Murdock contemplates hanging up the red costume—just as mad scientist Starr Saxon unleashes a deadly robot on him. With the streets of Hell’s Kitchen under siege and a mysterious hand behind the attack, even a temporary retreat can’t shield him from danger. Gene Colan’s moody art and George Klein’s dynamic inks bring the tension to life, while Stan Lee crafts a story where every shadow might hide a betrayal.

writer Stan Lee · artist Gene Colan · inker George Klein · letterer Artie Simek · cover Gene Colan, George Klein

ComicBooks.com Value

Our Model is In Beta
Raw (VG) $9
CGC 9.8 · 17 in census $935
CGC 9.6 · 38 in census $214
CGC 9.4 · 51 in census $124
CGC 9.2 · 37 in census $95
CGC 9.0 · 27 in census $65*
CGC 8.5 · 33 in census $53
Show all 17 grades
CGC 8.0 · 25 in census $53
CGC 7.5 · 17 in census $39
CGC 7.0 · 8 in census $23*
CGC 6.5 · 9 in census $20*
CGC 6.0 · 6 in census $20*
CGC 5.5 · 3 in census $20*
CGC 5.0 · 5 in census $20*
CGC 4.5 · 4 in census $20*
CGC 4.0 · 3 in census $20*
CGC 3.5 · 2 in census $20*
CGC 3.0 · 1 in census $20*
* estimate — limited direct-sales data at this grade
Our model’s value — refined as new sales data arrives · CGC census counts shown where available

More listings for this title

Direct $2 VF $2.99 VG $12.49 FINE $14.99 VG $15 VG $15.99 FN $17.99 GD $17.99
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History

Daredevil #49 was produced under the Marvel Method, with Stan Lee providing a loose plot outline and Gene Colan building the full visual storytelling from it — a workflow Colan described as receiving only a few paragraphs by phone before expanding it into a complete story. The issue falls near the end of Lee's tenure as the title's primary scripter; the very next arc would bring in Roy Thomas as writer, making this one of Lee's final solo scripted issues on the run he and Colan had shared since issue #20. Colan's long unbroken stretch on Daredevil — one of the defining artist-character pairings of the Silver Age — was still in full flight at this point, with George Klein on inks and Artie Simek on lettering rounding out the production team.

Trivia · 8 facts

  • First appearance of Starr Saxon (Samuel Saxon), a robotics-specialist villain who would later become Mister Fear (Daredevil #54, 1969) and ultimately Machinesmith (Marvel Two-in-One #47, 1979).
  • First appearance of the Plastoid, Saxon's custom-built android assassin programmed to track targets via scent ('aromagraph' technology) and capable of increasing its power level adaptively in combat.
  • Written by Stan Lee; pencilled by Gene Colan; inked by George Klein; lettered by Artie Simek — a creative team that had helmed the title since issue #20.
  • The story title is 'Daredevil Drops Out!' — Matt Murdock opens the issue resolved to quit as Daredevil, having lost both his best friend and the woman he loves, but is immediately drawn back in by the Plastoid's attack.
  • Biggie Benson, the mob boss whose arrest in Daredevil #47 was the direct result of Matt clearing Willie Lincoln's name, engineers Saxon's hit on Daredevil from prison as revenge.
  • Willie Lincoln — the blind African-American Vietnam War veteran introduced in Daredevil #47 — plays a pivotal role in this issue: his cane-tapping causes the Plastoid's self-preservation programming to abort the initial attack, and he then nurses an unconscious Matt back to health.
  • The Plastoid's connection to Saxon's true identity was not resolved within this issue; Starr Saxon's eventual link to Machinesmith was not established in continuity until Captain America #249 (1980).
  • The issue was reprinted in The Mighty World of Marvel (Marvel UK) #160, in Essential Daredevil Vol. 3 (2005, black-and-white), and in several international editions including German and Mexican publications.

Cast · 6 characters

Full credits

writer Stan Lee
artist Gene Colan
letterer Artie Simek
cover pencils Gene Colan
cover inks George Klein

Reprints

Reprinted in Dæmonen #49 (1969), HIP Comics #19114 (1969), Hit Comics #114 (1969), Diabólico #49 (1970), Strange #48 (1973), Essential Daredevil #3 (2005), Daredevil Epic Collection #3 (2017), Daredevil Omnibus #2 (2023), Creepy Worlds #115, Daredevil l'homme sans peur #51/52, Demonen #10/1969, Diabolico #49, Die Fantastischen Vier #120, Die Fantastischen Vier #121, L'Incredibile Devil #46, Marvel Super Adventure #4, The Mighty World of Marvel #160

Key issues in Daredevil

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