Creepy Worlds #234
☆ Be the first to review + Add to your collection — Join free"Delilah, Part 1" in Creepy Worlds #234 (1986) delivers a chilling sci-fi twist on power and identity, written by Stan Lee and Larry Lieber, with dynamic art by Jack Kirby and inks by Dick Ayers. When a dictator uses a scientist’s duplicator machine to evade assassination, the resulting copies begin to challenge his authority—each one increasingly convinced they’re the true ruler. The story’s tension builds as the original’s control unravels, culminating in a revolution that forces every version of the dictator into exile. Sy Barry’s cover captures the eerie, authoritarian mood perfectly.
In "The Imitation Man," a tyrant’s desperate bid to survive assassination attempts backfires when his scientist creates a perfect duplicate—too perfect, it seems, as the copy begins to dream of ruling in his place. With the original dictator returning to destroy the machine, he discovers it has been churning out endless copies, each now locked in heated debate over who truly holds power. As revolution sweeps the nation, the new government faces the strange task of deporting every version of the man they once feared.
In the thirtieth century, a cold, emotionless humanity rules the galaxy through conquest, sending an explorer to the next galaxy to find new worlds to subjugate. When he discovers a peaceful civilization untouched by war, he’s struck by a memory of a time when humans once sought peace—and chooses to lie to protect them.
Jo, a skeptical man with a mysterious past, offers fifty thousand dollars to anyone who can prove a ghost exists—but every so-called haunting has a logical explanation. As he investigates each case, his own unsettling connection to the supernatural begins to surface, hinting at a deeper reason behind his relentless skepticism.
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Reprints
↩ Reprints The Hooded Horseman #20 (1955), Journey into Mystery #77 (1962), Journey into Mystery #82 (1962), Strange Tales #100 (1962), The Phantom #23 (1967)
Reprinted in Secrets of the Unknown #225 (1984)
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