Career Girl Romances #67
☆ Be the first to review + Add to your collection — Join freeIn "The Man in the Family," Claudia Romano steps into her father’s construction business after he’s hospitalized, facing challenges both on the job site and in her own expectations. When a brusque worker named Howie Gasden makes a rocky start, Claudia fires him—only to be told by her father that he must be rehired. Art Cappello’s storytelling captures the quiet tension and evolving dynamics as Claudia and Howie navigate their new working relationship, with Sal Gentile’s cover art perfectly framing the story’s personal stakes.
In "The Man in the Family," Claudia Romano steps into her father’s construction business after he’s hospitalized, only to clash with one of the workers, Howie Gasden, whose brash demeanor earns him an immediate firing. When her father insists she bring him back, Claudia finds herself navigating the unexpected challenges of leadership—and a growing respect for the man she once dismissed.
In "Not Worth the Effort," Eve tries to catch Gordon’s attention with a bold new look—wig and a daring outfit—but he’s unimpressed. The next day, without the disguise, she’s surprised when he finally notices her, realizing she’s exactly his type.
In "This Is No Place for a Girl from Iowa," Naomi—fresh off a small-town life in Iowa—steps into the spotlight when her aunt’s old Hollywood ties land her a role in a European film. Her hometown boyfriend follows her across the Atlantic, hoping to win her back, but Naomi finds herself drawn not to romance, but to the thrill of performing. As the camera rolls, she begins to see her future not in love, but in the craft of acting.
In "Country Girl or Country Star," Ruby Waters finds fame as a country music sensation, but her life takes a turn when Dan Guernsey returns to town with a proposal. As the spotlight fades, she begins to wonder if the quiet life on his farm might be the one she truly wants.
In "The Party," Marie navigates the usual mix of awkward moments and hopeful glances at yet another social gathering, her usual self-consciousness making every interaction a minefield. When a man unexpectedly asks her if she understands a particular painting, something shifts—quiet, unexpected, and just a little electric.
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Reprinted in Career Girl Romances #2 (1978), Going Steady #[nn] (1982), The Game of Love #[nn] (1982)
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