Atlas Comics Library #1
☆ Be the first to review + Add to your collection — Join freeThis volume from Fantagraphics' Atlas Comics Library series collects a selection of horror and supernatural stories originally published by Atlas Comics in the early 1950s, drawn from the anthology series Adventures Into Terror. Featuring work by artists and writers who would later define the Marvel Age, these pre-Code tales showcase the macabre, twist-ending style that flourished before the Comics Code Authority reshaped the industry. The collection offers a curated look at the raw, atmospheric storytelling that marked Atlas's foray into horror comics.
"The Monster Awakes" in Atlas Comics Library #1 (2023) delivers a chilling, self-contained sci-fi horror tale from the legendary Basil Wolverton, whose distinctive art style brings a surreal, nightmarish energy to the story. A scientist’s experimental projector sends his enemies to a hostile other world, but when one returns and kills him, the survivor is left staring into the aperture—facing a desperate choice between saving the trapped or sealing the portal and abandoning them. With a stark, direct question to the reader, the story lingers on the weight of that decision, grounded in a single, unforgettable moment of moral reckoning. The cover by Russ Heath complements the tale’s eerie tone with its dramatic, shadow-laden composition.
In "The Monster Awakes," an American pilot fleeing a downed plane in wartime China stumbles into a forgotten cave and uncovers a hidden crypt. When he opens a massive vault door, he awakens a colossal being long imprisoned—ancient, powerful, and driven to destroy humanity. With no time to flee, the pilot must use his wits to outmaneuver the creature before it’s too late.
In "The Unknown Partner," a ruthless businessman whose greed cost his brother his life finds himself offered a lucrative new opportunity—only to drop dead moments later. The enigmatic figure behind the deal reveals a far darker purpose, one that redefines the cost of ambition in ways no mortal could foresee.
In *The Ant World*, a newlywed couple inherits an isolated mansion tied to the eerie past of a reclusive man named Hoog, whose experiments vanished without a trace. Strange sounds from the cellar grow louder each night, leading the husband to uncover a hidden colony of giant, intelligent ants—once human—buried deep within the house’s walls. As the mansion begins to collapse around them, only the husband survives, only to awaken in a hospital, his body slowly changing in ways he can’t understand.
In "The Man Who Looked at Death," Oren Van Schoon—a ruthless seeker of forbidden knowledge—ventures to India, where he exploits local mystics with cruelty and greed. After a slave reveals a terrifying glimpse of the future by handing him a newspaper from next month, Oren’s arrogance turns to dread when he reads the headline: he will be hanged for murder.
In "The Stranger," a scientist returns from town to find his home transformed into a nightmare—his family, altered by a failed experiment, now trapped in a hidden room. The horror deepens as he confronts the monstrous results of his assistant’s reckless ambition, leaving him to grapple with the terrible cost of his own creation.
In "The Creeping Vine," a botanist's curiosity turns to dread when a mysterious plant from South America begins growing in his greenhouse—its stench unbearable, its appetite for meat unmistakable. Each time it feeds, it blooms with a new flower matching the color of its meal, and when the family dog vanishes, the sight of a spotted bloom sends a chill through him. As he prepares to destroy the vine, his wife finds herself facing a terrifying new flower—one that matches her husband’s own color.
In "No Escape," a desperate man uses a startling resemblance to a wealthy stranger to infiltrate his life, first as a servant, then as his replacement. As he assumes the role, he uncovers a chilling past of psychological instability tied to the man’s cousin and lawyer—leading to a confinement in an asylum. The story unfolds with quiet dread, probing the fragile line between identity and madness.
In "I Stalk by Night!" from Atlas Comics Library #1, a judge’s life takes a terrifying turn when he unknowingly dons a pair of black gloves once worn by a notorious serial killer—gloves that refuse to come off and compel him to commit unspeakable acts. Written and illustrated with chilling precision, this seven-page tale explores the slow unraveling of a man trapped by a cursed artifact he never asked for.
In "The Brain!" from Atlas Comics Library #1, a deranged Nazi scientist, sentenced to death, orchestrates a grotesque resurrection—his assistant exhuming his body, severing his head, and preserving it in a hidden lab. Now a disembodied mind, he plots to seize control of the world from beyond the grave.
In "Hands of Murder," a young woman battles a chilling terror: she’s certain her dead sister is reaching out from beyond the grave, her invisible grip strangling her each night. Her psychiatrist dismisses the fear as delusion—until he examines her X-rays and sees the horrifying truth etched in bone.
In "Vampire Brats," a new nurse takes a job at an infants’ home where something feels off about the babies—too still, too quiet, too hungry. When one attacks her, she flees, only to be told the home is long abandoned, leaving her questioning her sanity. Now working as a babysitter, she realizes the child she’s watching might be just as unnatural as the ones she thought she’d imagined.
In "The Man Who Was Death!", a terrified doctor named Jim Banks becomes the unwitting host of a deadly alien scheme when he’s targeted by Jovian infiltrators seeking to conquer Earth by turning humans into living bombs. As the horror unfolds, Jim’s body begins to betray him in ways he can’t comprehend, forcing him to confront a fate far beyond his medical understanding.
In "The Clock Strikes!", a man grappling with a false diagnosis of terminal illness makes a desperate pact with a murderer to end his life by two o’clock the next day—too afraid to take his own life, but too late to back out. When he learns the grim prognosis was a mistake and he could still live, his terror at the looming deadline becomes his undoing.
In "The Hitchhiker," a lone driver picks up a mysterious stranger during a violent storm, only to hear a radio report about an escaped mental patient. Tense and paranoid, he confronts the hitchhiker—only to find himself the real fugitive when the police arrive. The story unfolds with chilling precision, turning fear and suspicion into a haunting twist.
In "You Can't Escape," a chillingly personal horror tale from Atlas Comics Library #1, a vampire speaks directly to you—his intended victim—revealing how he tracked you down through your love of comics, even going so far as to buy and customize a copy of *Adventures into Terror* just for you. Written with a creeping intimacy, the story blurs the line between reader and prey, leaving you with a final, unsettling image: claws out, fangs bared, daring you to look over your shoulder.
In "The Thing That Grew!" from Atlas Comics Library #1, Professor Borglum’s accidental fusion of his blood with a mysterious experiment unleashes a creature that won’t stop growing—and won’t stop feeding. As it claims lives to sustain itself, he’s left racing against time to find a way to end what he’s unwittingly brought to life.
In "Where Monsters Dwell," a scientist’s experiment to banish his enemies lands one man in a terrifying other world—only for the man to return and shove the scientist through the glowing portal. Left alone with the device still active, the survivor faces a chilling choice: turn the beam back on and risk unleashing the creatures upon his world, or leave it off and abandon the others to their fate. The story ends with him staring into the lens, asking the reader, “What would you do?”
In "The Parasite," a terrified prisoner named Harry becomes entangled in a nightmarish ordeal when he discovers a grotesque head sprouting from his cellmate Monk’s chest. As the head whispers dark commands, Harry is drawn into a terrifying act of violence—only to wake in horror as the same monstrous growth now pulses from his own chest. Written by an unknown hand and illustrated by an unknown artist, this chilling five-page tale from Atlas Comics Library #1 delivers a relentless, body-horror twist on isolation and possession.
Jo tries to end his life again and again, each attempt leaving only wounds and despair—no peace, no release. When a friend reveals the truth, Jo learns he’s already dead, trapped in Hell with others like him, condemned to repeat their final moments.
In "The Miracle," a desperate criminal in a dimly lit bar stumbles upon a stranger who performs impossible feats—until he pulls a gun and demands the secret. The stranger offers a deal: trade places, and the power is his. But as dawn approaches, the man finds himself irresistibly drawn to a cemetery, realizing too late that the miracle came at a cost he never understood.
In "The Ones Who Laugh," a teacher's growing isolation spirals into terror when he realizes everyone around him—students, colleagues, even strangers—only laughs at his presence. As his sanity frays, he uncovers a chilling truth: the school's dean is an alien from a bug-like, shape-shifting species that has consumed every human on Earth, leaving him as the last survivor—engineered to replicate humanity for their feast. The story unfolds with quiet dread, building to a harrowing choice that leaves the teacher’s fate hanging in the balance.
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Reprints
↩ Reprints Adventures into Terror #43 [1] (1950), Adventures into Terror #44 [2] (1951), Adventures into Terror #3 (1951), Adventures into Terror #4 (1951), Adventures into Terror #5 (1951), Adventures into Terror #6 (1951), Adventures into Terror #7 (1951), Adventures into Terror #8 (1952)
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