A Teia do Aranha #1
"Entra em Cena: Dr. Octopus" introduces a chilling twist in the Spider-Verse, as Peter Parker discovers that the man living in his aunt May’s home isn’t who he claims to be. With Stan Lee’s sharp storytelling and John Romita’s dynamic art—penciled with precision and inked by Mickey Demeo—this 1989 Brazilian edition brings a classic menace to life, all under the striking cover by Romita and Mike Esposito. The tension builds as Peter races to protect May, unaware of how deeply Octopus has already infiltrated their lives.
In "Entra em Cena: Dr. Octopus," Peter Parker, still reeling from J. Jonah Jameson’s latest smear campaign, takes a quiet step into the spotlight when he agrees to visit a scientific exhibition with Professor Warren. There, the brilliant but dangerous Doctor Octopus strikes, targeting a mysterious "anulador" device—prompting the Web-Slinger to spring into action, outwit the villain’s trap, and set a trail that leads into the shadows.
In "Os Tentáculos e a Armadilha," Peter Parker returns to his aunt May’s home to check on her safety, only to find the Doctor Octopus living there under false pretenses. With tensions mounting at school and romance in the air, Peter must confront the villain’s deception while protecting May from a trap that’s far more personal than he expected.
In "A Vitória do Dr. Octopus," after the Doctor Octopus knocks out Aunt May, Spider-Man is driven by rage to track him down—only to be outmaneuvered. When Octavius steals a military nullifier and heads to Tony Stark’s factory, Spider-Man confronts him, but the device strikes him down, leaving him with amnesia. Exploiting his confusion, Octavius convinces the disoriented hero he’s an ally, turning Spider-Man’s own mind against him.
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↩ Reprints The Amazing Spider-Man #53 (1967), The Amazing Spider-Man #54 (1967), The Amazing Spider-Man #55 (1967)
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