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The Wasp, 1913 · page 88 of 364

The Wasp — 1913 — page 88: what you’re looking at

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The Wasp — 1913 — page 88: The Wasp, 1913

What you’re looking at

This appears to be a serialized fiction excerpt rather than a political cartoon. The passage depicts a dramatic confrontation scene featuring Elizabeth Nash, a Southern woman who whips a "New England shipmaster" named Smith after her father warns her against his seduction. The scene carries **regional and class tensions**: a Northern businessman attempting to seduce a Southern belle, which the father frames as moral danger. Elizabeth's violent response—whipping Smith—positions her as defending Southern honor and femininity against Northern exploitation. A character named Burnham intervenes to help her. The content likely reflects **post-Civil War anxieties** about Northern commercial interests and their perceived moral corruption of the South, a common theme in late 19th-century American literature and satire. The whip itself may carry additional symbolic weight given the antebellum context. Without the magazine's date and broader context, precise historical reference remains unclear, but the North-South conflict and class dynamics are evident.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE WASP 85 Clear yer eyes from the painted spell. Harden yer heart against the wiles 0 the smirkin’ she- devil!” Elizabeth Nash straightened her slender, rounded form and dropped her arm from her father’s neck. She still held the gold-headed whip in her right hand. Her face was like a red rose of the south and her eyes like two points of blue fire in the heart of an iceberg. For half a second she stood thus, straight and trembling; and then she darted forward and lashed the New England shipmaster fair across the face with her whip twice, quick as lightning, with all the strength of her youth and fury. Smith writhed, screamed an oath, then threw his arms around her. He tried to throw her, his face colorless as chalk save for the two livid welts across it. While she swayed in his grasp, and before her father could raise his voice or a pistol, Burnham leaped upon them, seized the shipmaster’s throat Comichooks.com