Pulp Fiction, 1939 · page 8 of 116
10-Story Detective Magazine Cover — page 8: what you’re looking at
What you’re looking at
# Page Analysis This is an interior story page from a pulp magazine featuring both illustration and prose text. The top half shows a sketch illustration of what appears to be a nightclub or saloon scene with multiple figures. Below that begins "Chapter I: Murder on the Make," a hardboiled crime story narrated by a character named Steve Craig, who appears to be a troubleshooter following a movie production to a location shoot. The visible text introduces Craig's assignment to identify a target at a table where film industry figures—including producer Hedgewick, actress Vera Reynault, and director Thorton Kane—are gathered, establishing a noir mystery plot involving Hollywood personalities and apparent danger.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
| se!) Ms i We 1 > \4 p , a fa \ J SA a an ae = fi yf | | My ‘ “y . 4; " | " Ly ( ll fh ae AWE Cf j | A \ * yi 4 Ws 4 ly one A / / | ROUBLE- SHOOTER Steve Craig followed a movie set out fo location—to play the lead in a suicide scenario. CHAPTER I MURDER ON THE MAKE ADDEN said: ‘You can pick M him out easy, Steve. The little punk at the Hedgewick table. He gets the rush.” I said: “Right. He gets the rush.” I went out the side door of Mad- den’s office and moved toward the dance floor. I cut around to the edge, so I could get a look at the guy’s face, but the black-haired girl was leaning across the table, shutting off my view. She was worth watching, so I just stayed where I was. Her dark eyes ALOON RSS Oj, [s AA Ut ha \ ite bi 5 ae ea i sent a iu ay A » ts ae a) 4 i “ at | ec . ; pg Nts iF “a heer mie rR tS ROOUNR| gh all tual Seite cot VA We iF pL SURE, eee vga oe f , nity ” wil Lit t Lh bg ee a’. } ii nae were fastened on Hedgewick, drink- ing in his words, and every once in a while she’d curve her lips in a smile. I placed her, all right. Vera Rey- nault, newest find dug up by Tommy - Hedgewick, the boy wonder producer. The tall, sallow-faced lad next to her was Henry Voss, who’d been built up for the lead in her next picture. And the little, spidery fellow near Hedge- wick was Thorton Kane, ace director. Vera Reynauilt, Voss, Kane, and Hedgewick himself—about four mil- lion dollars worth of Grandeur Films on the hoof—and the fifth guy was CORmiclooo@ cS (C@