10-Story Detective Magazine Cover — page 109: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

from the body. The dead actor was wearing a white silk scarf with small red dots; the doctor removed that too. Then the doctor unbuttoned the actor’s coat, vest and shirt. He was taking off the tie, when he suddenly checked his motion. He looked down at the body, a long, lingering, puzzled look. Then he looked at the inspector. “Do you see what I see?” he de- manded. “Tim,” mused Baldock, out, eh?” “Did I hear you say this man once won a prize contest for the best- dressed actor? Did I hear you say he wrote—”’ “So the landlady and other boarders told me. And over there on the desk is a magazine containing an article on what the gentleman will wear and signed by Braxton Hewett.” Kettle picked up the magazine and -read the article; it was a short one. “Of all things!” he exclaimed. “Listen to this.” He read: “No matter how excellently a man’s clothes are. tailored, the effect will be spoiled if he wears colors which do not become him or colors which are improperly matched.” “some lay- “Funny, isn’t it?” remarked the baffled inspector. “Funny?” cried Kettle. “It’s just simply impossible! Here we have a man who is noted for his correctness in dress, a man who writes articles on the importance of properly matched colors—and how do we find him? We find him wearing a light-brown felt hat, a bluish overcoat, a cinnamon- colored suit, a white scarf with red dots, an orange tie on a light-blue shirt, a green vest, a white soft collar with brown stripes, purple sox, tan shoes, and a black-bordered handker- chief !” “It’s the strangest thing I’ve ever seen,” admitted Baldock. Docter Kettle remained standing over the body for several minutes. A vacant expression came into his eyes Please mention Acy Fiction GRouP when answering advertisemer-t7.. ma Ghoo 3 THE CORPSE CLUE—————--———————_107 Normal School Principal Finds N.I.A. Gives Real Service “T have sold an article to Real America. Before enrolling I was skeptical of N.I.A. training as the best preparation for writing in fields other than newspaper report- ing, but now | arm convinced that you make goo 1 your claim that N.LA. is the preparation needed by writers in all fields. N.I.A. renders a real service by giving thorough, sincere ot expert criticism.” L. MENDENHALL 253 Linden St., Fond du Lac, Wis. Why Can't You Write? fi’s much simpler than you think! O many people with the “germ” of writing in them simply can’t get started. They suffer from inertia. Or they set up imaginary barriers to taking the first step. Many are convinced the field is confined to per- _sons gifted with a genius for writing. Few realize that the great bulk of commercial writing is done by so-called “unknowns.” Not only do these thousands of men and women produce most of the fiction published, but countless articles on business affairs, social matters, domestic science, etc., as well. Such material is in constant demand. Every week thousands of checks for $25, $50 and $100 go out to writers whose latent ability was perhaps no greater than yours. The Practical Method Newspaper work demonstrates that the way to learn to write is by writing! Newspaper ey ae editors waste no time on theories or ancient classics. The story is the thing. Every copy “cub” goes through the course of practical criticism—a training that turns out more successful authors than any other experience. That is why Newspaper Institute of America bases its writing instruction on the Copy-Desk Method. It starts and keeps you writing in your own home, on your own time. And upon the very same kind of actual assignments given daily to metropolitan reporters. Thus you learn by doing, not by studying the individual styles of model authors. Each week your work is analyzed constructively by prac- tical newspaper men. Gradually they help to clarify your own distinctive style. Writing soon becomes easy, a ing. Profitable, too, as you gain the ‘“‘professional’” touch that gets your material accepted by editors. Above all, you can see constant progress week by week as your faults are eorrected and your writing ability grows. Have You Natural Ability? Our Writing Aptitude Test will reveal whether or not you have -natural talent for writing. It will analyze your powers of observation, your imagination and dramatic instinct. You’ll enjoy taking this test. There is no cost or obligation. Simply mail the coupon below today. Newspaper Institute of America, One Park Ave., New York, N, Y, Oe ee Newspaper Institute of America One Park Avenue, New York Send me, without cost or obligation, your Writing Aptitude Test and further information about writ- ing for profit as ‘promised in Ace Fiction Group, September. cv Seer very a rere Pere kere? Ty oy A tenes (All correspondence confidential. No salesman will call on you.) 531599 2 es oe * |. .erpeneee @ fg eG fF ee (Q) ©