10-Story Detective Magazine Cover — page 34: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Cae teow > = nothing left upon which to base a __ |e¢harge of murder. I hope I’m not be- jing too—er—graphic.” your companion is a lady of ideas. | Please convey my compliments to her.” AX ULRICH and Paul Ham- j mond sat facing each other for ' several minutes. Neither spoke. Then Ulrich crossed the room to where a = — -. radio instrument stood upon a low _ gtand. Hammond’s searching eyes saw that it had wires, one running to the radiator and the other to the gas connection in the fireplace. It was the circuit which he had tapped in the Danvers Hotel. Ulrich switched on a small light and waited for a few moments. Then the lamp winked out. “Hello,” he said. An answer came in a woman’s voice, Hammond kicked at his bonds, loosening them, but he dared not free imself as long as Ulrich was in the “You had better come down here 3 : at once,” Ulrich continued. “I have him tied up, and am soon going to fol- _ Jow your almost inspired suggestion.” _ Hammond stiffened. Then Nevel had suggested that he be blown to bits, But the thought fled from his - mind when he heard the words now coming over the secret circuit. “Our friend, the Sefior Pombal, demands immediate action.” “We're ready,” Ulrich replied. —“Good!”’ Nevel said. The man switched off the light and se glanced at Paul Hammond. “Make yourself at home, my friend,” he _ gaid, striding toward the door. “Tl --—-- see:~-you again before—before you ___ leave us.” “HLJAMMOND could hear Ulrich _ #4 and the man named Harolds talking in the warehouse. The minutes dragged as Hammond worked with his bonds. Fully a half our must have gone by before he 7 = a> mat eet a ~ net ae ae PES = ae! =* gos ae ong ee he IS on, Sa —<— << ee age ee ae eS — eee aia See : ae Sa t% a ce Se Seeger. : =“ as no oe, _ SF 5 SE ee - i Os = ‘e succeeded in freeing his feet. Then he stole toward the radio set and snapped the switch, as he had seen Ulrich do. He waited until the tubes had time to warm, Then he began speaking. : | ‘““Hello—hello,” he called into the transmitter in a lowered voice. ‘“This is Paul Hammond speaking. I’m be- ing held at the Martel Street ware- house on the waterfront. They are preparing to raid Alcatraz in a sub- marine and release a prisoner who was once known as the Laughing Ghoul. The submarine is manned with a light naval gun and machine guns. Send all the men you can spare. Sefior Pombal is supplying the sub. Nevel Nason and Max Ulrich are—” “You are wasting your time, Mr. Hammond,” a voice said behind him. Hammond twisted to see a tawny head of curls bared as Nevel Nason took off her little hat. “That isn’t a radio. broadcast,” she went on. A faked expression of frustration came to his face. Yet he contrived to leave the switch open. . “T’d hoped,” he began, “to—” | The girl held up her hand and looked around, as though listening. ‘Perhaps I can help you,” she whis- pered. “You know I am D-7, although you have refused to acknowledge me. Do you remember what I once said to you?” He shook his head. “TI said—KL—47—_ATU—_$93.” Paul Hammond stared straight into the girl’s eyes. They were brown, not hazel. She was giving the secret signal of distress, although it | was his life, not hers, that was in danger. If she was an operative, his answer would bring her aid; if an enemy, he would be putting fresh power into her hands. Once more he It doesn’t _gearched her eyes, and made his de- cision. “T don’t know what you mean,” he The soft lines of her mouth tight- —— 3s - ore ~ . 4 ee ng a ee wy Se Oe . \ ; pe ty ( wae a |_| i oa \ | XY 7 F ” | * fr ces a = Z