10-Story Detective Magazine Cover — page 114: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Self-Supporting inTenMonths “T am able to live on the money I earn by writing, and it is not yet ~ ten months since I began the course! Until a few months after beginning study with you TI had never had a line _ published _in any commercial ublication. What more can I say or a course which has enabled me to earn a livelihood by the most congenial work I have ever done?” . John N. Ottum, Jr. . Box 95, Lisbon, N. D. How do you know you can’t WRITE? Have you ever tried? Have you ever attempted even the least bit of training, under competent guid ance? Or have you been sitting back, as it is so easy to do, waiting for the day to come some time when you will awaken, all of a sudden, to the discovery, “I am a writer’? If the latter course is the one of your choosing, you probably never will write. Lawyers must be law clerks. Doctors must be internes. Engineers must be draftsmen. We all know that, in our times, the 3 does come before the chicken, t is seldom that any one becomes a writer until he (or she) has been writing for some time. That is why so many authors and writers spring up out of the newspaper business. The day-to-day necessity of writing—of gathering material about which to write—develops their talent, their background and their confidence as nothing else could. That is why the Newspaper Institute of America bases its writing instruction on journalism—con- tinuous writing—the training that has produced so many successful authors. Learn to write by writing [NAWSPAPER Institute training is based on the New York Copy-Desk Method. It starts and keeps you writ- ing in your own home, on your own time. Week by week you receive actual assignments, just as if you were right at work on a great metropolitan daily. Your writing is tndividually corrected and constructively criticized. group of men, whose combined newspaper experience totals more than 200 years, are responsible for this imstruction. Under such sympathetic guidance, you will find that (instead of vainl trying te copy some one else’s writing tricks) you are rapid- ly developing your own distinctive, self-flavored style—un- ergoing an experience that has a thrill to it and which at the same time develops in you the power to make your feelings articulate. : Many people who should be writing become awe-struck by fabulous stories about millionaire authors and, therefore, give little thought to the $25, $50 and $100 or more that can often be earned for material that takes little time to write—stories, articles on business, fads, travels, sports, recipes, etc.—things that can easily turned out in Jeisure hours, and often on the impulse of the moment. A chance to test Yourself We have prepared a unique Writing Aptitude Test. This tells you whether you possess the fundamental qualities nec- essary to successful writing—acute observation, dramatic in- stinct, creative imagination, etc. You'll enjoy taking this n will bring it, without obligation. Newspaper test. The cou \ merica, One Park Avenue, New York. Institute of E Newspaper Institute of America 1% Ff One Park Avenue, New York 5 a Send me, without cost or obligation, 5 your Writing Aptitude Test and further » information about writing for profit. t b 5 a Mr. : F B Mrs. ae a ae ee ee eee 2 EB . Miss - FD En ee a Setar get ee Se Se eae eee EB (an L r correspondence confidential. No salesmen will call on By i Pos em oe ee ee ee Please mention Acp Ficrion Grour when cnawering advertisements = ae > ~ comicbooks et Se, on = “Tony queered himself. left prison last week, I gave him the customary twenty dollars that the state allows. Tony laughed, folded it up and stuck it in his vest pocket. On a hunch, I’d marked that bill. Tonight I saw Snowy pass that bill to the bar- tender at Carthy’s place. Tony paid Snowy off with that bill as part of the money. It would have made a great laugh in the underworld—bumping a man he hated with money given him by the State when he left prison. Tony was always like that — looking for some sardonic feature that would ele- vate him to the station of a wise guy among his pals.” “But how did you guess that Tony bumped Reade in the alley outside this restaurant?” “First, Tony went out of his way to get the women’s club to hold their meeting here at his place tonight. He knew I was to speak and that would provide him with an unshatterable alibi. : “Then, too, Snowy drove the body away too fast. It bumped all over the back of the car. There was blood high on the doors, on the roof, the seat— all over. That’s why I was certain the body had been driven around a lot— after Reade was driven here to be butchered. “You can take Tony now, Donovan. I’m going to get my shoulder fixed up. Got to help a man get by the parole board in the morning.” “Okay, Tom,” Donovan yanked the half conscious form of Tony upright, “but this is one guy you won’t have to worry about. The only parole he'll get is in hell.” When he <i