The Face of Rosenfeld — page 55: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

ae Penne ethers NT Sor Aes Pitney Week St ove oO gis pcg yy Nis Fay wore s . a ~ > - «, ‘ es + a Oe Wa >! A : a a - - 48 THE FACE OF ROSENFEL. it is exceedingly strong. Some people who have the faculty in a marked degree can close their eyes and call up at will the face of an absent friend with such distinct- ness that it is quite like looking at him. At least I have been told so. I must say my own impressions are very faint.” «< Now you are getting into my field,” said Maxey, who was very much interested. ‘‘ That is a faculty possessed by some of our best portrait painters, notably Sir Joshua Reynolds. I never heard it called by that name, but it is obvious that the man who can keep a subject before his mental vision constantly, other things being equal, will make the best picture. Why, I went into the studio of a friend of mine the other day and I was struck at once by a splendid portrait in oils he had just completed. ‘How many sittings did you have for that?’ Iasked him. ‘If I tell you and you should repeat it to anybody, I might not get my price for the picture,’ he said. There were really about twenty sittings, but eighteen of them were shams. After the firsb two I never did any work when the subject was before me.’ Don’t you see this is just a case in point. At the first sitting he had sketched the outline of the face, and, as he told me, whenever he wanted to sit down and work at it he had only to recall the person’s face to his mind, and he can really do his best work from this mental copy alone by himself. The presence of the real face detracts his attention and makes him nervous. He has the power. Well, if it isa mental faculty and our girl gets well, she is going to remember all about this time and these events since we found her in a series of pictures, I take it.” amar laughed. ‘‘Something after the style of a pan- orama, I suppose? No, Maxey, you reason too loosely, ; Je f + * P : : ’ ~ + * _ ot - i 7 ~~ 4, 7 b) ‘ . A — ho %& - : L» d oe) eee ‘ © ¥\ Gs 52 * o> s oh ee te 5 - ’ : ne: +t ~ : ‘ ‘ : rs 7 oe ie ah. ee Bie ee ane, Ad age . se oe 4 > re *e Aer a. nae) ake? aS eat A ‘yy . P P me OF » a » , / 44 I ya ‘ < 4 = + ths aa eee ee Ar . Ce i¥ Ge Oat ie 1 PP hae SAT) ve Ns i ere ~ pee at gl Beat Pe” eee Roe AR Awol na) ee ra see mur Pk A Ae fayt soyat ae me eye Bes ne “4 — 25 Pe Meee rey oa st f Ne - # eK ~ arf ork yee . 6 ad 7 so i ay £5 ; a ,