ComicBooks.com Register / Loginit's free!

Penny Dreadfuls, 1890 · page 54 of 272

The Face of Rosenfeld — page 54: what you’re looking at

📖 Open the full issue in the page-flip reader →
The Face of Rosenfeld — page 54: Penny Dreadfuls, 1890

A restored page from Penny Dreadfuls, 1890. Page through the whole issue in the reader above.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

i dag a 73 " ao es: en “ay : pa — 4 rete Wie. + y ai are ae oi at. Sheets pre SSL este eae Sart Ce Bam ie ee ~ ‘ ‘ pe: — > ie } : THE FACE OF ROSENFEL. 47 ‘*'You mentioned that you had been making experi- ments, Lamar.” ‘< Yes,” assented the physician, ‘‘we have discovered something. First, our patient has a most remarkable power of visualization and next she is very susceptible to the influence of music. She was so excited by Miss Maxey’s fine singing this afternoon that she fainted.” ‘<The deuce!” cried Maxey, beginning to brighten up at once, ‘‘either I don’t understand the thing the least in the world or this means very good news.” “* Possibly.” ‘« Possibly! There you go again. You use that evas- ive word toavoid committing yourself on any subject just a as soon as anybody asks youadirect question. Becandid, po Lamar. Doesn’t this mean that there is a bare chance a of singing her back to her senses again?” | ed ««'To the question put in that limited and cautious at way | would answer ‘ yes.’” es Maxey became very much excited. | ‘‘Why not begin now at once and sing till she gets a well?” he cried. : 1 ‘““ No, no!’ said the sister. ‘*‘ That won’t do. Both ; oe doctors have forbidden any more music at present, and ae for to-night—absolute quiet.” “at ‘<That is another medical humbug which they think of when they haven’t any nastiness at hand to dose with,” muttered Maxey. ‘‘ Absolute quiet! Stuff! And what’s that other thing with the long name you say she’s subject to?” ‘Visualization? It means the power of retaining the image of an object after it has disappeared from the actual field of sight so vividly that its exact form is still seen. We all have it in a greater orlessdegree, In her A ge Se Aa ee TEES ae tie a rs Cone NS te: a aoe <5 Ss 7 * on a8 es me Z ey PAD, « roe ~ ve . pe es Ty. ; - ; me : : 4 / a, \| a ’ iD “6 y » os, ; ' - a - 2 <a - * ss r P of - " 7 ot I Gal ee OTS ETE oe Say “OL a Paley whe Se Z Sgrtloe ®@ OK OO : © me OF ez, i » 2.§ 7 7 es “ Lo ton 3 og 4 . ; , ‘ | * - é ah eee " d e) t . < > r ~ ~~ : F omy . — - AX 7 Fie ” é . » | st <<“ s ‘ a et. is are = 7 Les i > one — oe ae e353 >. - 4 ° ee oe oy 2 - me - ‘ Als Pe ’ : a : +7 mi ° . a Ce =" Tap re Ses mh i ; ~~ «. * ae = % £. boats er . ‘ . ’ < : + ea a ttle Maas z aes “ f . on- Ty tough ‘ ‘ : : re ane ~ n it ¢ a wet , im ; 7 ‘s - MN by o% x Cre ; . , —_ Wud Cran) 1 Me “ a oe > ‘ake , a . “ ~ 7 : "ina ; ; pes ; Cock, . : ¥ d \ r >< s ig tae : is : . . y 4a , z * . , - 44 i ah | VA * ay Saker. Pein} an ke > ee as ie oe a Se ON 1 ere oF Sa pot eae ce eR SATS +