Life, 1927-02-24 · page 14 of 39
Life — February 24, 1927 — page 14: what you’re looking at
What you’re looking at
This cartoon satirizes labor disputes within construction unions during building expansion. "Boss" and "Riveter" argue over who controls decisions on a girder at a building's sixty-second floor. The humor lies in their petty jurisdictional squabbling while literally working at dangerous heights—the precariousness of their position matches the absurdity of their argument. The caption "No charge on that?" suggests competitive tensions between trades (riveters, carpenters, etc.) over who gets paid for which work. This reflects early 20th-century union conflicts where overlapping job responsibilities created territorial disputes. The satire mocks how workers' serious workplace safety concerns get overshadowed by bureaucratic turf wars.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
JERRY'S HIM FOUR MOTIIERS, AND THEY ALL Apore mim!" “ve MAD MOTHER-IN-LAW TROUBLES PLUS. PATHER HAS GIVES Those Allied Building Trades (The scene is the framework of a new skyscraper. A Riveter and his Boss are having an argument on a girder at what will be the sizty-second floor of the completed building.) : Say! Wot's the big idea leavin’ out Riveter (emphasizing the point with tobacco juice, as in “The Big Parade”): Dat’s to make it easy for de wreckers when dey tear it down. Boss (grudging- ly): Good idea. Huh? Danny, what are you do- ing, learning something? Danny: No,ma’am. I was just lis- HOW TO BE A PAINLESS DENTIST tenin’ to you. February A great sheaf of bills by the first post, very depressing, nor did I open them to find out Ast the exact sums for which I am beholden through fear of becoming so cast down that I could not arise and go about the day’s business, so, dreaming of an invulnerable solvency, I did ask Sam what would be the first thing he would do if he suddenly came into a million, and he responded with no hesitancy soever, “Buy this apartment building and put out the old zany who lives below us,” nor could I think of a more satisfactory thing for him to do, neither, for Lord! the wretch down- stairs complains if our servants do but walk across the floors in our absence and blames us for various noises due to the construction of the building, and if I did not know that he was in the insurance business, I should take him for the run- ner-up in marking the sparrows’ fall. Florence Kimball to luncheon with me, and we made a fine weal off turtle soup, creamed oy sters, cold ham and sale and orang served in grenadine, which God knows I should not have eaten, and Florence did tell about mak- ing a record of Grieg’s “Ei Traum” at the tor factory in Cam- den and “That was certainly rotten!” at the con- clusion of her fourth js trial so that her ver- Pretty Slick dict also reached WHAT ARE THEM THERE the wax and she Pt DURS DOING ON THET SCARE- must needs go . crow 0’ yours, 111? through the whole //iram: tuet’s THE GovERNMENT'S nerve-racking busi- NeW IDEA 0’ YARM RELIEF! nessagain. In speaking of how well Edith Piper had sung the piece from “Herodiade” at her concert last night, I did vouch- safe that in spite of my appreciation of the technical finesse which goes into the proper rendering of a song in a foreign tongue, I am nevertheless glad when a pro- gram reaches the cheap-and-easy group in English, and it is because our own writers get such a kick out of the coming of day or of Spring or of their love that they do seldom write about anything else, thereby giving a soprano a splendid chance to emit a tremendous final whoop, which, if well done, never fails to thrill me. February Very Toth to leave my bed, a most un- ond wonted pain in my stomach awakening the ue suspicion that perhaps I am beginning to break and can no longer stand (Continued on page 30) comicbooks.com