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Life, 1924-06-19 · page 26 of 40

Life — June 19, 1924 — page 26: what you’re looking at

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Life — June 19, 1924 — page 26: Life, 1924-06-19

What you’re looking at

This page satirizes New York City and the movie industry circa the 1920s. The top section, titled "Delegates' Guide to New York," mocks a "bone dry" delegate—someone from a Prohibition-era region where alcohol is banned—with tongue-in-cheek tourist advice. References to Mayor Hylan and newspaper magnates (Munsey, Hearst) were recognizable contemporary figures. The joke hinges on NYC's lawlessness and corruption during Prohibition. The "Broadcastings" column by Montague Glass attacks studio accounting practices, specifically "exploitation expenses"—fake costs studios used to ensure authors and profit-sharers received nothing, despite contracts promising a cut. The author argues manufacturers exploited creative people systematically. This was standard Hollywood practice: studios would inflate costs to zero out profit distributions. The cartoon illustrations show socialites making dinner plans and a wedding scene, reinforcing themes of leisure-class excess and urban sophistication that contrast with the provincial "bone dry" delegate.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE SKYLINE OF NEW YORK AS IT LOOKS TO A DELEGATE FROM THE BONE DRY Delegates’ Guide to New York T various points of traffic intersec- “Mayor don't let He’s pretty decent about tion you will see sig Hylan's Street,” but frighten you. it, and you may walk on his streets if them you behave yourself If you wish to sce a show, go to the box office of the theatre ask to be directed to the nearest ticket agency Visit Central Park. It may not be there the next time you come to New York A pleasant trip is a ride on the munic al ferryboat William R. Hearst. You can sce Brooklyn without being obliged actually to go there. From the deck there is also an excellent view of the police boat John F. Hylan, and you may get a glimpse of the Riegelmar Boardwalk. The distance from Herald Square to but this as Mr. ” Times Square is cight blocks will be shortened just Munsey buys the Times and con them The qu kest and most inexpensive P Taxt ease eo Lanror mre ? AN BAKLY JUNE WEDDING way to see New York is in the subway For five cents you can ride underneath all the important points of interest In City Hall Park is the famous f Civic Virtue. It repr statue of sents Democracy subduing the Gary-Rocke feller crowd. If you have any friends in New York, take them te 1¢ Metropolitan Museum of Art. They've probably never been there. “Abie's Irish Rose” has had the lon rk, est run of all the shows in New Y but the Board of Estimate is funnier. 2 . don't forget. We're lunch- day in town.” ne late and go 0 the theatre matter what we sce.” Let's go to that keeps open all night ce new place that We can sleep all Jay to-morrow.” “What! Only hali-past have another round of ¢ ail “Well there's the Thompsons on Te Wed- Rockwisters Bufficighs day, and we're spend the week-end with the Giffleton-Phlipps.” the Billinghams nesday, the ursday, the HE: Bo x01 know all the stars by Sur name? only by reputation Broadcastings By Montague Glass [You should ever have the misfor- tune to share in the profits of a mov ing picture sum outright in beu of profits, you will instead of insisting on a sce in your statement of why there aren't any a n expense item called “Ex This item is the little joker, double 0, pro- percentage in favor of the ¢, to use a gambling expression. It is what makes th ploitation. the single and which vides the profits of moving pictures unprofitable to the author wh shares with the to the manufacturer, but ne manufacturer who shares with uthor, for the author is in the n of the Devil who has been at dvantage since the beginning of recorded history because God has writ- ten all the books. By this reference to 1 that the ks, no in- manufac- sinuation is made items under the Nevertheless, it Morris Immer k, e, invites to turer enters improper head of Exploi is obvious that if the moving pict luncheon an aut the profi hooks of of exploitation of their joint picture, “Flam| or will have paid for a co-sharer in nd enters the check in his account as part of the cost ¢ Flames,” the au ain proportion of his own luncheon. This may be only the se his share of the profits is one-sixth—but on the other hand, when Mr. Morris Immer- glick of Immerglick Productions, Inc. has entertained at dinner eighteen of the officers and staff of the Eighth Na tional Distributors, Inc., through which (Continued on page 33) soup and two olives—in comicbooks.com