Life, 1924-05-01 · page 31 of 40
Life — May 1, 1924 — page 31: what you’re looking at
What you’re looking at
This page contains two distinct sections: **"Famous X's"** (upper left) is a humorous list of historical/notable figures identified only by cryptic clues—likely a quiz game for readers. References include "Antihppe," "The Double," and "Wilhelm Hohenzol[n]" (likely Wilhelm II, the German Kaiser), playing on the magazine's satirical tradition of oblique commentary. **"Telephone Types"** (center-left) is a comedic essay cataloging absurd telephone user stereotypes—the weather bore, the wrong-number caller, the operator abuser, the jazz-band interrupter, etc. This satirizes the then-still-novel telephone technology and the social awkwardness it created. The humor relies on readers recognizing these annoying personality types in their own social circles. The page is otherwise dominated by **Estey Organ advertising** (lower right), a product placement typical of Life's revenue model. The advertisement includes a photograph of the organ installation. The small cartoon (lower left) appears unrelated—a fashion or social commentary illustration with the caption about diamonds being "the hardest stone."
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Famous X's ANTHIPPE — shows The double - tra dry re body was fou cathedra —pense accounts The weaker s Wilhelm) Hohenzol Telephone Types Tne type who al ays opens up with a lengthy analysis of the weather the type w “What's tt gets cut of ) is forever repeating the type who always ..the type who speaks a language that resembles a combination of Eskimo and who always calls the wrong the type w the type who invariably » forgets why he called... ets a busy wire. . the type who jollies the operator ...the type who curses the oper the type who always has to t nickel...the type who wrathfully the instrument on the floor...the typ who makes believe that he is the butler +s.the type who, to the of a clashing jazz band. his spouse that he is being detained at the office...the typ who merely re- * thro hout the t a handker- peats the word “ye conversation...the type who, j around the corner, s! chief in the mouthpiece, and pretends reds of mile 1 that he is h away the type who calls up at three o'clock in the morning to report shat he has been ons him- arrested...the type who sta self in a booth for one solid hou the type who begins the ¢ with “Guess who this is”...the type who speaks in a low whisper...the type who, in the middle of the conversation, Lé suddenly says, vod-by”...the type | Organs have been and are being who never says “Good-by.” ‘ ‘ wee , Cos incorporated with distinguished success in rsation homes already built. They offer great possi- | bilities for new houses that are now being | planned. Architects are designing music rooms with organ screen and console in harmony that make a dignified and appropriate setting for the Estey Organ. But a room devoted to | music is not necessary: The living-room or hall can be used with equally good effect, both musically and architecturally. All our experience is at the service of any architect planning such a feature. The Estey Organ is so flexible that the pipes can be placed anywhere, at any distance from the console. “THE DIAMOND 1S THE MARDES Rees eae | THE ESTEY PIPE ORGAN —Le Ruy Blas (Paris) Estey Organ Co., Brattleboro, Vermont comicbooks.com