Life — April 17, 1924 — page 26: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

- LIFE - Broadcastings By Montague Glass | R. JOHNSON of the Johnson Immigration trifle disappointed in it quality which he ad Law may conscientiously believe that the mired in) Mr. Boc work was pr Italian ingredient of our rapidly cooling Aluminum was a precious metal at first, but while its melting pot is inferior in quality to some quality remains the same, ease of m acture has caused of the other ingredients. he hot in it to become base. Perhaps the reason why Max Beerbohm’s i all reason expect that any Italian is going literary reputation continually g s more secure is that h with him unless it be Mr. Gino nza. N serves his sparkling wit in liqueur glasses, a little at a ti Speranza not only endorses Congressman Johnson's opini Our hms treat their public as the Chest but he is even writing articles in the Wor s Work farmer wanted to be treated at a tenants magazine to sh how utterly unassi w lable the Sper at the of America can be. To be sure, he is making a rather poor and after he had tossed it down in ot he only hali nzas give job of it, since the Squire's said: “Il way valid ar pent he has advanced so far is that an American of Italian descent such Speranza can he so. t Americanized E2NON HANNAY afte ions of one of his boc resider a as to in Trish v libel stock to m the c which he This ‘ment itself pr parti as he has now the Italian melting pot passed phase of troubles to a consideration of the Mexicans of New the Mexico a a. T “foreigners” uns of nisi; nighted have ved in How to Miss a Train TY OU pull down the roll-top a few minutes lat S America since lon: the Revolutionary stil Spa Say. at ten after five. when it should have been French, just as those well cight all lik known British “aliens,” the And all things thereafter are ordered by Fate estas | Scottisn Highlanders and To buffet and block you Spa A The express clevator won't st the Welsh peasants, have ting friend holds you up at the door lived in the British Isles for upward of two thousand and still speak Gael 1 Welsh. It is all ve nthe rom the pitch. One day he wand your floor And the subway is crowded as never before With people who knock you years You journcy uptown like a fretful sardine You curse at the stations and pray in between more so by moins Mr Speranza’s last article of a sad and render the — publicati And glare at your watch, which says five-seventeen (The train leaves at twenty) Then into the Terminal, bu half-tone print, to illustrate ting with wrath, You crash with the might of Goliath of Gath And woe to the woman or child in your path Or feeble old gi the difference between New England and Louisia mn church architecture. It a y reproduction of Cathedral in Mexico € oe M MAXWELL BOD ENHEIM has recently published his fifth or sixth You skate down the incline which Icads to the street ht even s. D. W. Sinclai off the pitch and n the cracks And lengthen your stride to about seven feet ile you murmur remarks which lamay not repeat They are so lower-level. You skid round the tum like a racing Fiat You do the last hundred in ten seconds flot Then b ate: oh. d. . . (meanin You've missed it. poor devil! George S. Chappell says during me of verse, 3 a re of his article ir viewer in the Nation makes the rather just observation that while it is quite as well done as the first, he is a comicbooks.camag