Life — August 11, 1921 — page 36: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

MADE WITH A GRAFLEX CAMERA, KODAK ANASTIGMAT/. 4.5 LENS GRAFLEX It is not merely in the doing of sensational things in speed photography that the Graflex excels. Its efficiency qualifies it for the snap-shot in the shade, for the taking of the most delightful of all pictures—unposed pictures of the children. F Graflex does the unusual things in photography and does them well, especially well if it has the added advan- tage of the Kodak Anastigmat /. 4.5 as its lens equipment. Eastman Kodak Company Folmer & Schwing Department Rocuester, N. Y. Matchless for the Complexion Since 1789 At all druggists Now as always (THE SILENT DRAMA‘) Recent Developments (E (The regular Silent Drama department ill be found on page 22) The Sign on the Door. First Nutional— | Norma Talmadge’s emotionalism attains a new voltage record in this thoroughly absorb. ing melodrama. Straight From Paris. E£qui‘y—The triumph of a French milliner over or upper class mediocrity, set forth in excessively dull fashion by Clara Kimball Young. The Conquest of Canaan. Payamount. —A pleasant picturization of a. real town, which is inhabited by people \ form strictly to the trical types. Meighan and Doris Kenyon are miscast, it doesn’t seem to make much differeiice. The Golden Snare. First Nati little melodrama and a great deal of snow. is advisable to concentrate your attention on the snow. An Unwilling Hero. Goldwy; —Will Rogers is excellent as Whistling Dick, one of O. Henry’s most amiable tramps. The Conquering Power. Metr)—An- other fine production by Rex Ingram. who is threatening to beat the German mov pro- ducers at their own game. Balzac’: ie Grandet” provides the motif of the st Love’s Penalty. First National~-Hope Hampton works hard to save. the situation; but it is waste effort. The Old Nest. Goldwyn—A_ concen- trated attack of tear gas, under the onal supervision of the eminent Mr. Rupert Hughes. Scrap Iron. First National—An excel- lent story of the prize ring, which adds ma- terially to the already formidable fame of Charles Ray. The Twice Born Woman. Sonu: When in New York, this film played Hippodrome, and nobody had any difficu!t getting seats. The Golem. Riesenfeld—In mai the finest of the foreign pictures—vivi tesque and intensely dramatic. Heedless Moths.—Life in an studio as it is described in the magazine tions of the Hearst Sunday newspapers. picture is not nearly so salacious as it vertisements lead one to expect. In fact, is most disappointing. Without Benefit of Clergy. Pati é Kipling’s story has been adapted with intelligence, and converted into a phot that ‘is pictorially effective and well act« Carnival. United Artists—An F picture that ranks above any of the films ported from Great Britain of late y backgrounds for the action are furn y the Chamber of Commerce of Venice (Italy). ie For Review Next Weex—“Footlig/its,” “The Great Moment,” “Nobody,” “The tery Road,” and “Don’t Neglect Your W’ The Regulator Mistress: Mary, how is it that the eggs for breakfast are sometimes boiled soft and sometimes quite hard? Mary: Well, Mum, I’m sure I don’t know. I puts them in regular as the clock strikes eight, and I takes them out without fail when I hears the down train go by.—Punch. comicbooks.com