Life, 1920-08-19 · page 35 of 40
Life — August 19, 1920 — page 35: what you’re looking at
What you’re looking at
This page contains **primarily advertisements and light humor pieces**, not political satire. **Main Content:** The centerpiece is a **Waterman's Ideal Fountain Pen advertisement** featuring a racing car, using speed metaphors to market the pen as responsive and reliable—"built for speed" like a roadster. The copy appeals to "quick thinkers" and busy professionals. **Sidebar Story - "Art Unappreciated":** A humorous anecdote about a Philadelphia architect who stops nightly to contemplate bridge reflections in water. A park guard, observing this behavior, assumes he's suicidal rather than artistic. The joke plays on the guard's incomprehension of aesthetic appreciation versus the architect's romantic sensibility—a gentle jab at philistinism and lack of cultural understanding. **Other Content:** A "Say It with Flowers" advertisement and a sentimental poem, "To a Small Dog's Smile," about finding comfort in a dog's affection amid life's troubles. The page reflects **early 20th-century consumer culture** and conventional sentiment rather than sharp satire.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Jor comfort Every pair guaran teed MADE AT SHIRLEY MASSACHUSETTS Art Unappreciated HE story is told of a Philadelphia architect who, living in the vicinity of Germantown, was accustomed to drive along the river at the end of each day's B i] S d ! werk. Coming to a certsin bridge which ult jor Speed: spans the river at one of its most beau- tiful points, ie would stop his car and, valking to the water's edge, seat him- ATERMAN'’S Ideal Fountain Pen responds to the elf upon the grass. There in profound : : Since, execpt for ihe yetitle lapping’of touch of the speedy thinker with the smooth-run- the water, he would gaze at the multi- ning ease of a roadster. tadinous and vari-colored shadows cast bythe setting ‘stmand the bridge tpon And it’s always ready to ‘‘go’’, independent of ink- the silvery surface of the water. : Re = ‘: For devetal ‘eveniaga ‘the park guard well, desk or place, which makes it the ideal pen for the had closely observed the young architect. quick thinker en tour or the man of affairs, with whom Unatle to control his curiosity, he ap- writing is as necessary as his right hand. proached him and asked: ; ; “Say, Bo! What's the idea of coming es — here every evening and looking at that The easy writing performance and all around reliabil- water with a lot of sorrow written on ity of Waterman’s Ideal have made it the favorite writ- your map? Not in trouble, are you?” . 2 as - “Why,” exclaimed the architect, look- ing tool for 26 years—the world over. ing up in surprise, “I happened to look out over this body of water one evening and noticed the beautiful shadows cast Th T by that bridge. It's wonderful! 1 tell hree ypes ¢ you you'd travel far and wide before you Regular, Safe- 52-50 and uP, could see a more perfect rendering of ty and Self- Best Dealers nature.” filling. est Dealers. “Oh!” exclaimed the guard, who had stood with mouth wide open, “you must be one of these artist nuts.” The architect was highly amused. He L. E. Waterman Company merely answered, “ Perhaps I am.” 191 Broadway, New York “Well.” exclaimed the guard, “I think a Boston San Francisco Tl keep my eyes on you, at any rate. You di oston . may take a notion to dive in, and I don’t want any suicides on my beat.” To a Small Dog’s Smile WALKED the street with aching feet, j Coldly passed by the world and men. ~ OPER PENSE : Alone and worried, pushed and hurried, with the fragrant } Everything wrong, and then— Welcome Your Guests mesage ot Flow | For a moment I paused and from trouble ers—a language they understand and love. Ke was free, You cum " Say (t with Flowers anytime, unpiehere — ; through the Plorists’ Telegraph Delivery Assuctalion, Because you naused and—wagged at me! comicbooks.com