Life, 1915-02-04 · page 9 of 44
Life — February 4, 1915 — page 9: what you’re looking at
What you’re looking at
**Top Cartoon:** A domestic scene showing a dachshund lying down while speaking to a smaller figure (likely a child or another animal), saying "YOU LEAVE ME ALONE OR I'LL NEVER SPEAK TO YOU AGAIN!" This is simple visual humor—personifying the dog as making human threats about conversation. **Article: "Unpopular Restoration"** discusses why restoration efforts lack public support, using a human analogy: restoring a destroyed person is as pointless as restoring a stolen wife to an owner. It critiques the New Haven Railroad's directors for not restoring stolen money, questioning why they should be bailed out. The piece implies widows and orphans deserve compensation more than corporations. **Bottom Cartoon:** "A Siegfried Audience" shows elaborately costumed operatic figures, satirizing Wagner's *Siegfried* and perhaps operatic pretension or the clash between costume spectacle and musical substance.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Nes erllRat Bertie: You LEAVE ME ALONE OR I'LL NEVER SPEAK TO YOU AGAIN! Unpopular Restoration HY has restoration never become popular? Possibly one reason is that the thing to be restored is never the same as it was when it was stolen. If a man steals another man’s wife, it does little good to restore her to the owner. If a human being is destroyed by a corporation, he cannot be restored. Perhaps that is the reason why nobody has ever suggested that the directors of the New Haven Railroad restore to their rightful owners the vast sums of which they have been robbed. The money has departed. Why make the directors pay? Indictment, with nominal bail, is much more orderly. Widows and orphans can wait. A SIEGFRIED AUDIENCE (To BE EN REGLE THIS SEASON COWNS MUST ACCORD WITH THE MUSIC)