Life, 1912-11-28 · page 7 of 44
Life — November 28, 1912 — page 7: what you’re looking at
What you’re looking at
This page presents a poem titled "The Victor" by Loellyn Louise Everett, accompanied by a satirical illustration labeled "The Idol." The cartoon depicts a man sitting on a pedestal, holding an enormous globe, while a crowd of women gather below, apparently worshipping or adoring him. The poem's text—contrasting questions about love's coldness with inquiries about blessing—suggests the satire targets male ego and the worship of masculine authority. The illustration mocks how society elevates certain men to idol status despite their emotional inadequacy or moral failings. The "idol" sits literally above the crowd, suggesting the artificial elevation of mediocre male figures. The scattered flowers and devoted postures of the women below emphasize the satirical critique of female adoration toward unworthy men, a common theme in early 20th-century American satire about gender dynamics.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
4 OVE came wooing ; Love came suing, All aglow, Plumes aflying, Rapture crying, Top to toe! The Victor Tell me truly, Heart unruly, Why so cold? Here is pleasure Without measure For your hold! Love left, weeping That his leaping Had been vain, Slow and weary, Pale and dreary, Wan with pain. THE IDOL HOURS FOR WORSHIP, 2.15 T0 5 (WEDNESDAYS AND SATURDAYS) Answer truly, Heart unruly, Why, at last, Did you press him, Did you bless him As he passed? -Leolyn Louise Everett. comicbooks.com