Life, 1912-11-14 · page 11 of 44
Life — November 14, 1912 — page 11: what you’re looking at
What you’re looking at
This cartoon satirizes the pursuit of wealth. The image shows a figure at a signpost marked "TO WEALTH" standing at a literal fork in the road—one path leads toward an ornate cathedral/castle (representing spiritual or cultural values), while the other descends into rocky, treacherous terrain (representing the harsh realities of wealth-seeking). The satire's point: choosing the path "to wealth" means abandoning higher pursuits and moral considerations for material gain. The contrasting landscapes emphasize the spiritual cost of unchecked materialism. The accompanying text titled "She That Passed" appears thematically related, discussing judgment and impression—reinforcing the cartoon's moral commentary on choices and their consequences during what was likely a period of American industrial expansion and wealth-focused culture.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
THE TURNING POINT She That Passed ad on thin black summer silk, with white accen- tuations of some sort, loose and wavy in the bod and flutterous in the skirt. and her stockings white, or vice versa, 1 couldn't swea which, and she was fairly long and fairly lithe; and when she went by she left a sense of having passed. We didn’t see her face at all, but we were both looking after her as she turned the corner. “Do you think,” said I, He considered. “T would not the impression of a consistent spinster, did she? Not just that impression, no! Hint to Young Writers © not repeat. Say whatever you have to say in the most forceful you can devise and let thatesuf- fice. Do not say the same thing over and over again. Maybe her shoes were blac she is a married lady?” y that, but she did not somehow give Do not weary the reader by the recurrence of the thought even though you vary the form. Consta iteration of identical ideas, far from adding anything to their value, is liable to detract therefrom. Do not give the ry string. mark of a faulty style. in to the same concept The Zone System HE Postal Progress League street, New York) is making a vigorous fight against which the has We are unreservedly joyous der the impression that you are harping on one Authorities agree that excessive reaffirmation is a Do not let yourself revert again Avoid repetition, (125 East’ Twenty-third the zone system of rates government adopted for our parcel post. that somewhere on the map there is an organization which helieves that the true direction of progress is not hack- ward. Any one who is interested in having a parcel post which i: real parcel post instead of imitation would do well to get into touch with the Postal Progress League. comicbooks.com