Life, 1902-01-30 · page 9 of 20
Life — January 30, 1902 — page 9: what you’re looking at
What you’re looking at
# Political Cartoon Analysis: "Will Jack Reach the Ogre?" This satirical cartoon depicts a caricatured figure labeled "TRUSTS" as a grotesque ogre sitting at a table, threatening smaller figures approaching from the right. The cartoon critiques **monopolistic business trusts** of the Gilded Age—large corporate combinations that dominated American markets and faced public outcry. The ominous ogre represents how trusts were perceived: as dangerous, predatory entities threatening ordinary citizens ("Jack"). The sword the ogre holds suggests their power to harm. This reflects late-19th century Progressive Era anxieties about corporate monopolies crushing competition and exploiting workers. The cartoon advocates for trust-busting reforms—legal action to break up these corporate giants, a major political issue of the period.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Shey ee nat Nash si| im WILL JACK REACH THE OGRE? Life’s Anecdote Contest. NOTICE TO CONTESTANTS: The contest will close on Feb- Tuary Ist, 1902, No contributions received after that date will be considered. Owing to the number of anecdotes yet to be printed, some ‘Weeks must necessarily elapse Lefore the prizes can be awarded, Nunnen 21. “oe Tadinner table in London the conversation turned on speaking. Curran stated that he could never speak in public for a quarter of an hour without moisten- ing his lips. ‘I have the advantage of you then, Curran,’ said Sir Thomas Turton, a pompous and pretentious mem- ber of Parliament. ‘I spoke the other night in the House of Commons for five hours on the Nabob of Oude, and never felt in the least thirsty.’ ‘ That is very remarkable, indeed,’ replied Curran, ‘for ev ¢ agrees that it was “Trish Life and Thomas Whittaker, New York, 1899. Nowper 22. I sent the book down to the Dean, from Saunders and Otley’s. Speaking of that firm, I don’t know whether I told you of young Sutton, Lord Canterbury's son, calling there one day very angry because they had not sent him some books he had ordered. He was, as usual, pretty warm—so much so, that one of the partners could bear it no longer, and told him as much. “T don’t know who you are,” was the answer, but I don’t want to annoy you personally, as you may not be the one in fault; it's your confounded house that I Dlame. You may be Otley, or you may be Saunders ; if you are Saunders, d— Otley; if you are Otley, d— Saunders! I mean nothing personal to you.” A mode of getting out of the scrape that would do honor to the great Dan O'Connell himself. ‘ Life and Remains of Rev. R. H. Barham” (vol. 2, p. 164). Richard Bentley, London, 1870. Nesper 23. The celebrated Zimmerman went from Hanover to attend Frederick the Great in his last illness. One day the King said to him, ‘You have, I presume, helped many a man into another world?” This was rather a bitter pill for tic doctor ; but the dose he gave the King in return was a judicious mixture of truth and flattery : “Not so many as your Majesty, nor with so much honor to myself.”” “Salad for the Social." DeWitt and Daven- port, New York, 1856. Noumper 24. “The two Sheridans,” says Kelly, “were supping with me one night after the opera, at a period when Tom expected to get into Parliament. “‘T think, father,’ said he, ‘that many men, who are called great patriots in the House of Commons, are great humbugs. For my own part, if I get into Parliament, I will pledge myself to no party, but write upon my forehead in legible char- acters, ‘To be let!""’ nd under that, Tom,’ said his father, ‘write, *‘Unfurnished!"'" ‘The Works of Richard Brinsley Sheridan.” Chatto and Windus, Piccadilly, London (no date). On the Train. BUPEWS: Where are you living now? Bitoer: Living! I’m dodging, fall- ing into holes, being run over, twisting and turning, falling off and hanging on, being steamed and banged and tossed in the air. “In New York, eh?” comicbooks.com