Life, 1898-02-03 · page 7 of 20
Life — February 3, 1898 — page 7: what you’re looking at
What you’re looking at
# Analysis of Life Magazine Page 87 The top cartoon, titled "How Bill the Grafter Became a Millionaire," depicts a dishonest character labeled with signs reading "GRAFT," "BOODLE," and "HONEST" (the last ironic). The figure appears to be a political corruption caricature—likely a local politician or businessman enriching himself through illegal schemes. The artist ridicules how grafters accumulate wealth through bribery and embezzlement while maintaining a facade of respectability. The lower image, "The Proposed Railroad Up Mount Sinai," shows a mountainous landscape with religious connotations—presumably satirizing a commercial scheme to desecrate a sacred biblical site with modern infrastructure. The page also contains a lengthy acknowledgment thanking contributors to Life's "Dramatic Breakfasts" fundraiser for the Fresh Air Fund, a charitable organization providing country outings for poor urban children.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
fact itissimply a display of one kind of buman weakness instead of another—and it’s a very disagreeable kind at that. WW IAT fs needed is not the diversion of small minds from one form of literary criticism to another, but the employment of Our Thanks. Fe the success of Lire’s Dramatic Breakfasts, each one of which— if we may trust the verdict of our friends —was more brilliant than its predecessor, we wish to extend our warmest thanks lo our patronesses, and especially to those whose cfforts made these novel entertainments a possibility, and to the many artists who so freely gave their services. For the sake of Lire’s fresh-air chil- dren, Miss Julia Arthur—entirely at her ‘LIFE: a better kind of mind—a broader in -———~ — tellizence and fuller culture in the production of criticism. And when he comes he peed not be afraid that there will be no fit audience to appreciate him. Droch. own expense—came on with a portion of her company from Philadelphia and presented a delightful little comedy. And Miss Arthur's reward for this good deed will nut be in Heaven alone, for she convinced the most select audience it is possible to assemble in this city of its pre- inadequate conception satility of her genius. And we thank Mrs. Fiske and __. THE PROPOSED RAILROAD UP MOUNT SINAL, Shade of Moses: her company for their artistic rendering of the second act of *Divorcons,” for which purpose they also came on from Philadel phia; and Miss Julie Opp, and the Misses Kieckhoefer, Miss Marie Stori, Miss Harriett Cady, Miss Anna Vernon Dorsey, and Mr. Augustus Thomas. And we are grateful to Mrs. Thomas Whiffen and Mr. Charles Walcot for * Yellow and to Mr, Daniel Frohman. Mr. Louis Mann also receives our sincerest thanks; and Mr, Burr MeIntosh for his own most welcome little play of “The Colonel's Ward,” and for his triumphant labors as stage director, Miss Belle Boudouine. Messrs. David Lyth- goe and Edouard José, and Monsieur De Bessel, have won our gratitude. And we thank Mr. E. E.Rice, Messrs. Koster & Bial, Messrs, Lederer & McLellan, and Messrs. Brady and Ziegfeld, by whose kind permis: sion these artists have appeared in our favor, The Waldorf-Astoria Orchestra, under the direction of Signor Clappé, gencrously volun- teered their services and added materially to the entertainments. To you all, our many friends, both on and off the stage, who by your generous contri- butions of time and labor—or of money— brought these dollars to the Fresh-Air Fund, we thank you once again; this time in the name of the hundreds of needy children who will owe to you their outing in the country this coming summer, Roses;