Life, 1893-11-02 · page 10 of 14
Life — November 2, 1893 — page 10: what you’re looking at
What you’re looking at
# Analysis of "Another Shylock" Drama Review This page reviews a theatrical production of *Shylock*, featuring actor Mr. Mansfield in the title role. The illustrated vignettes show scenes from the play with musical notation beneath. The review critiques Mansfield's performance as intelligent but overly cautious—afraid to fully explore the character's emotional depths. The critic praises his makeup and costuming as appropriately aged, but notes the performance remains "commonplace." The supporting cast receives mixed reviews: Mr. Forrest's *Bassanio* lacks vitality, and Miss Cameron's *Portia* disappoints, especially in trial scenes. Overall, the production benefits from tasteful settings but lacks theatrical force. The musical notation likely indicates songs or instrumental accompaniment accompanying the staged scenes depicted above.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
ANOTHER SHYLOCK. T can truly be said of Mr. Manstield's Shylock that it is an intelligent performance. His reading of the lines is accurate and free from mannerism. But it lacks finish and He seems to think that an admirable make-up of gray hair and grease paint, combined with senile palsy, i is over-boisterous. all that is necessary to portray an aged man. In Shylock Shylock vigor of action, in stentorian tones, Mr. Mansfield’ is a robust young person of twenty-five or thirt After the Mid- way’ essentially a character part; Mr. Mansfield is thoroughly a ‘ter actor, and it was to be expected that he would give us a strongly drawn portrayal of all the peculiarities of old age stirred to its depths by strong emotion. Perhaps it was the fear of letting his special ability in this line carry him too far that has caused Mr. Mansfield to make his performance of Shylock commonplace, although, as said before, intelli- gent. As a manager, Mr. Mansfield has used the limited capaci- ties of the stage of Herrmann’s Theatre to good advantage. while not in the least gorgeous or elaborat are tasteful and true. He has introduced considerable new “business,” which serves more to retard the action of the play than to add to its force. His company is only fairly good. Mr. Forrest realizes Bassano in looks and diction, but his work lacks virility. Miss Cameron’s Portia is most disappointing, especially so in the trial scene. The other parts are done carefully. One's gen- eral impression after secing the performance is that it was fart done comicbooks.com