Life, 1886-12-23 · page 6 of 18
Life — December 23, 1886 — page 6: what you’re looking at
What you’re looking at
# "Heaven Bless Our Home(s)" Cartoon Analysis This cartoon depicts a domestic scene with satirical captions in what appears to be German or a Germanic dialect. A woman and child are greeting a man at a doorway, with the woman saying something like "Ron mit der doctor" (roughly "Ron with the doctor"). The humor appears to target domestic life and possibly immigrant or working-class family dynamics of the early 20th century. The exaggerated dialect in the caption suggests satire aimed at German-American households—a common target of American humor magazines during this period. The title "Heaven Bless Our Home(s)" ironically frames the domestic scene, suggesting the cartoon mocks either the sentimentality of home life or specific contemporary social conditions affecting American families. Without additional historical context about the specific date and Life magazine's editorial stance, the precise target remains somewhat unclear.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
398 “LIPE: IMPRESSIVE. (Harper's). The paper is well-suited for bringing out the I” stood beside the Tiber and watched its flowing tide, delicate lines of Reinhart’s drawings, the typography fine, and I’ve walked about the Forum with a lying Roman guide ; the half-leather binding a delight to the eye, which has been I’ve been in ancient temples and trod where heroes trod, so long offended with cheap and gaudy cloth covers. I know the world’s cathedral with its complicated God. The same publishers are also to be commended for the at- I've listened to the echoes of the martyr's dying groans, tractive setting of Andrew Lang's “In the Wrong Paradise, I’ve seen that cheerful chapel they ornament with bones ; and Other Stories.” Perhaps this is the beginning of the Seen the giant Coliseum, that miniature of hell, reaction against all those abominations in book-making, into And stood in awe and silence near where great Cxesar fell. which the “ Gutterside Library” business has driven so many Ah! those scenes of ancient history, those forms of power and grace respectable American firms. Droch. Are graved in lasting pictures in my heart's most sacred place ; But combining in its person the force and strength of all, NEW BOOKS + The quickness of Jove’s messenger, the devoticn of St. Paul, GP, Reet od el bs Ave Q. Sroddard ‘The Lives of the Presi- . New York:' White, Stokes, & Allen. My admiration centers on a thing I did not see, Ulysses S. Grant. Ry W. O. Stoddard. The Lives of the Presidents But it left its impress on me —a healthy Roman flea. ‘series. New York: White, Stokes, & Allen. Homes and Haunts of the Poets. Original, Etchings by W. B. Closson. Emerson and Holmes. Boston; L. Prang & Co, Homes and Haunts of the Poets. Hawthorne and Whittier. Original etchings by W. B. Closson, Bost.n: L, Prang & Co. Liber Amoris, being the Book of Love of Brother Aurelius. By Henry Bernard Carpenter. Boston: Ticknor & Co. The Ministers Charge, or the Apprenticeship of Lemuel Barker. By W. D. Howells. Boston ‘Tieknor & Co. wah 7 a Tennyson's Lyrical Poems, Selected and annotated by Francis T. Pal- “PROCESS” LITERATURE. grave. "New York: White, Stokes @ Allen ee OY HE whole indictment against the clinical school of nov- wanna of the Decay of Teeth. By C.S, Weeks. New York: Fowler, elists is summed up in the following admirable sentences, Uncle Sam's Medal of Honor, Some of the Noble Deeds for which the age of the Reproductive Processists in literature and art. | Sons. . : 2. There is in literature, French and American, a school which | « The Reputtie eine geet Fife, Teanaletlons] {roms the Georges” andl offers to do nothing but play the passive recorder of actions pace cee Workman. A Story by Clinton Ross. New York: G. P. and emotions, in utter unconcern as to their moral quality. Cite ond Chacalote. _K Short Winery of Viele Proauétién and Uses I think we may call them photographic /#¢/érateurs who do | Dorchester: Walter Baker & Co. not create ideally, and who leave out such grand themes as | — justice, holiness and devotion.” | If one would live up to the principles of realism, he should immediately revise his nomenclature, and include such terms | as the “ Howells’ Heliotype,” the “ James’ Photogravure,” the | “Zola Electrotype.” On this basis a critic could intelligently | discuss their novels, not as literature, but as clever semi-me- | chanical processes. He might say that the drawing of Lemuel Barker was miserable, that the picture was all in one tone, and the light and shadow managed very awkwardly. Or he | might add that the plates were exposed too long, and the lens ‘was not properly focused. To fully carry out the trade idea, there should be vigorous competition between those who control the various processes. | The Howells’ Heliotype company should underbid the James’ Photogravure, until one company absorbed the other, and in the end, a great fiction monopoly was created, and the stock watered to the flooding point. A Congressional investigation could then be ordered, and Tim Campbell might devise | some measure for regulating or suppressing the dangerous corporation. This opens up a wonderful future for statesmanship and novel-writing, with certain tempting prospects for Jay Gould, ca Russell Sage, and other patrons of the Muses. * * * Mrs. Ikelstein: RON MIT DER DOCTOR, KERVICK, SOLOMON! TER a 9 PABY ISH SWALLOWT A SILFER TOLLAR!! T is pleasant to have Charles Dudley Warner's humorous Wp Fs beste BOT VOR L LEED ON EER BASLE? sketches of travel among American summer resorts, Mrs. I.: YES, DOT VAS 1D; HURRY MIT DER DOCTOR! bound up in such a substantial volume as “ Their Pilgrimage” Mr. I.; DOn’D GED OXCIDED, RAJEL, IT VAS GOUNDERVEID. comicbooks.com