Judge — January 21, 1928 — page 30: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Enjoy Bridge to the Utmost! You will if you and your friends become subscribers to EAD the monthly lessons by the celebrated Editors, Mil- ton C. Work and Wilbur C. Whitehead; special features by the great Sidney S. Lenz; useful spe- cial articles by thirty-nine other Associate Editors and similar noted writers, including a series of les- sons for beginners; official news about law revisions, tournaments. etc., anecdotes, comments, prob- lems, questions and answers, car- toons—in general, every sort of valuable matter. All of the Radio Games are re- ported—the Magazine being your only means of getting them in printed form, aside from what the newspapers furnish. Probably more valuable still to you are the an- swers to the problems broadcast by the Magazine at the close of each Radio Game; each is followed in the next issue by the experts’ full explanation of the principles involved The Magazine has turned more average players into advanced ones than any other influence. It will strengthen your game, en- able you to hold your own in any Bridge discussion, and fascinate you—whether you have much or little time to read. Subscribe today, sending $3 (outside U. S. A, $350) for one year AUCTION BRIDGE MAGAZINE 30 Ferry Street New York Killicsomething vs. Auchtersomethingelse. The referce losses up. Judging the Shows (Continued from page 16) cerned I'll agree to make up and pose gratis. III Grower Ketuy's new play, Behold, the Bridegroom,” is ‘way over its author's head. While it contains several ably written scenes and an oceasional plumbing of character that rings clear and true, it is obviously so far beyond Kelly's dramati ability that, in its entirety fails to come off. Like other of our more younger American playwrights, Kelly tries to do something that is not in his power to do, Not content with writing the kind of thing that he, like these others, can write so well, he essays to turn O'Neill, and with disastrous result. There happens, unfor- ly, to be only one O'Neill ng around our theater at the ent time and Kelly doesn't look like him. Judith Anderson is starred in the exhibit and gives a work- manlike performance. ‘The au- thor’s direction is also commend- a But the stars “tbe ched, however — praiseworthy nd courageous the intention, in wheelbarrow. IV OCF the other recently produecd pieces that 1 the most amusing. While Robert Humorist Sherwood has got none of the quality of the Lardner story into his stage exhibit and while the job that he has done is a crude one, there is enough sly humor in the proceedings to convert the evening into agrecable diversion. June Walker gives a highly meritorious performance of the rile of the movie director's. re- bellious wif “Caste,” by Cosmo Hamilton, is a cheap bid for the Yid trade with a smear of obstreperous goose-grease. It is pure jun And Rachel Crothers’ “Venu is junk no less. “There is too much love in fiction,” says a writer. The re verse is true, too, —Husorist Berty—Oh, George! Will ys love me like this? Gronur—Rather not, dar- ling. TU show you another hold tomorrow. —Evervnopy’s Weexiy SSS Se ee \€omicbooks.com