Judge — May 28, 1927 — page 30: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Considerable annoyar by road. Judging the Shows (Continued from page 16) world has devised curtains that no longer roll up in the middle after the manner of old-fashioned awnings, and sets that do not resemble sail-boats every time a stagehand opens a door. Sierra, it is true, is still pretty far behind Sure Relies 3 E LLANS FOR INDIGESTION 25¢ and 75¢ Pkg's. Sold Everywhere BOW LEGS? ‘THIS GanTER (Pat’d) Makes Trousers Hang Straight fags Bend tn Ont, salt Adjeeebin, Free Booklet—Piain Bealed Envel The T. GARTER CO, Dey Rew nde was caused to following traffic by Mr. Mallet Chisel’s decision to take his latest panel up to town —Passinc Suow the times to warrant labeling his undertaking an art theater, but he at least shows signs that the new stagecraft interests him, II Aptnovar certain members of her company cut loose with a species of elocution more aptly suited to an Ivy Day address than to Sophocles, Margaret Anglin’s showing of “Electra” at the Metropolitan proved to be a thoroughly engrossing and stimulating evening. The old tragedy was made to live again in the theater and to provoke the customary astonishment on the part of all great admirers of Augustus Thomas and Owen Davis that so interesting a drama could have been written over two thousand years ago. Miss Anglin herself gave another of the per- formances that stamp her as one of our few real actresses, not only in the way of acting but in the way of high and fine ambition. It is entertaining to consider how greatly Sophocles served as the papa of our dramatic hokum. In “Electra” alone we find any number of devices that are still in full box-office force. The description of the exciting chariot race, visualizing the dizzy course of the galloping horses, the famous recognition scene, the in- cense pots, the Grand Guignol melodrama of the murder scene— all find their counterparts in the drama of the Twentieth Century. Ill B= “The Lady Screams” and “The Seventh Heart” are, as indicated with sufficient brevity in another column, the worst con- ple kind of balderdash. Ten 's at the first and t the second are enough to drive one for relief even to a moving pic- ture. I note that there is a con- stant wonderment among my col- leagues as to why and how such things happen to be produced. I oblige my friends with the neces- sary information. Such things are produced because there are always talentless dolts who im- agine that they can write plays, because there are always suckers who can be found to put up the money to get them on, and be- cause our theater managers have utterly no respect for the good name of their theaters. a yi) ‘ty NH “It’s quite easy. All you have to do is to break away the bit you’re standin’ on and then jump clear.”—T1t-Bits comicbooks.com