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Judge, 1926-12-11 · page 30 of 36

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Judge — December 11, 1926 — page 30: Judge, 1926-12-11

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IARC Just as the twilight was falling Mother tucked little Ermine into her little crib and crooned “Between the dusk and the daylight when the night is beginning to lower.” “Ah!” sighed little Ermine, who hereafter will be known as the party of the first part, “that was written by a big man.” ‘How does my little duckling know?” Her mother heart was bursting. “Because,” sighed little Ermine, “he was a Longfel’ Tear mist filled their eyes for th. :new that nothing so sweet would come into their lives until next week when The Sentimental Number of JUDGE Will be on sale at all newsstands Read it and weep! I started to recite a poem, I bowed and doffed my lid, “Shoot if you must this old gray And, by gosh, some one did. irae beurre be se pays #5 19° each one pen lg MASTERLITE ffviter Lighter WINNER FOR AGENTS Ne wind can blow it out WHAT MAKES IT LIGHT? Guaranteed for Life, Sells on a flash demonstration to smokers and dealers at big profits. Each sale builds an everlast- ing repeat business. S0c in stamps brings convincing sample with ture fire selling plans. MASTERLITE MFG. CO. Dept. 2311, 110 East 23d St., New York. + UPON KEMP'S BALSAM FOR THAT COUGH! Judging the Shows (Continued from page 17) heart than a pretzel belongs in the Café de Paris. Yet here we have the self-dubbed champion of American dramatic art backing it, expending his full energies upon it, producing it as carefully and painstakingly and lovingly as Arthur Hopkins or the Theater Guild might produce a drama by one of the world’s geniuses, and incidentally again making a sublime hypocrite of himself. It is all very pitiable—and very funny. Ill T three other productions of the week of which I am writing were “The Witch,” an adaptation by John Masefield of the Norwegian drama by Wiers-Jenssen, a revival InDeR SoRuS_S = Chevrolet” J! a, 4) “That's a fine looking he Chevrolet?” of Shaw’s “Pygmalion,” and a musi- cal show enjoying the title of “Twin- kle Twinkle.” The first named was originally shown at the New Theater, its locale transplanted to Salem and with Bertha Kalich in the réle pres- ently occupied by Alice Brady. La Brady's performance is the better of the two, Where La Kalich acted the réle in the spirit of Ibsen’s Rat Woman linking arms with Frank Campbell, the Mlle. Brady brings to it a simpler and considerably more well-reasoned interpretation. As for “Pygmalion,” which, when it was A TOUCH OF REALISM Old Gentleman—Really, boys, I must congratulate you! That's the most life-like snow-man I’ve seen for a long time. Boy—Yes, sir. We've got Bertie Briggs inside. —Passing Show comicbooks.com