Judge — June 5, 1926 — page 26: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

All 3 Prints for $1.25 “SOME KIDD" By RayMono THAYER As classy a little buccancer as ever sat on a dead man’s chest and sang “Ye ho! and a bottle of rum A new Art Print, printed on extra heavy Art Mat size Il x 14 inches, in four colors, from the original plates. Prints will be carefully packed and sent postpaid upon receipt of 50 cents each “CIRCUS DAYS” By Enoch Boutes id illustration in full color of a most at- tractive Ringmaster. Another new Art Print, printed on extra heavy Art Mat, size 11 x 14 inches, in four colors, from the original plates Prints will be carefully packed and sent postpaid upon receipt of 50 cents each “TEE FOR TWO" By RayMonp THAYER An attractive “twosome” that has no need of caddies. Also a new Art Print, printed on extra heavy Art Mat, size 11 x 14 inches, in four colors, from the original plates. Prints will be carefully packed and sent postpaid upon receipt of— 50 cents each Judge Art Print Department 627 West 43d Street New York JUDGING 0 BE able to recommend a | movie unreservedly is such a novelty that you will pardon my embarrassment, I'm sure. “The Wilderness Woman” is in some re- spects the best farce comedy it has been my privilege to see on the screen; it leaves me full of awkward enthusiasms. To begin with, the story itself, by Arthur Stringer, is amusing—that of an Alaskan sourdough who, after twenty-five years of catch-as-catch- can with an Arctic environment, gets $1,000,000 for his mining claims and comes to New York with his strong- arm daughter and her pet bear to “do” the town. Chester Conklin, as you can well imagine, makes a most engaging sourdough, and Aileen Pringle does supremely well as his handsome, naive, but somewhat dangerous daughter. She, of course, is the “Wilderness Woman.” Once in New York they meet Alan Burkett, the suave tenderfoot who had previously journeyed to Alaska and paid for the mining claims in person, and become _ irretrievably attached to the daughter. They also hook up with some confidence men who would sell pa the subway. Lowell Sherman, as the tenderfoot lover and man-about-town, achieves a very subtle combination of humor, appreciation and fastidiousnese, quite capable of charming the Amazon of his choice. And the three confidence tne MOVIES: men are wholly believable—the “Colonel,” played by Henry Vibart; the “Judge.” played by Burr Mc- Intosh, and their young confederate, played by Robert Cain. It is the latter's hazardous role to keep the Wilderness Woman entertained while the others attend to pa. He does, until his initial success goes to his head and with a left to the jaw and a right to the solar plexus he takes the count. Meanwhile pa . . . But if you want to know how it all comes out go see it for yourself. Just a word about the photography and Til desist. “The Wilderness Woman” might be played effectively on the speaking stage, but without the richness of setting afforded both by the Alaskan and the New York scenes, which have nothing of the effect of being lugged in. In other words, without effort of any kind the picture fully justifies the screen as the ideal medium for this particular drama. The titles, too, are excellent... . “Pp. RAMOUNT'S JuNror Stars,” all graduates of the Paramount School of Acting, make their screen début in “Fascinating Youth,” which reminds one more of a house party than a movie. In a preliminary an- nouncement the audience is informed that the dozen or so young men and women in the cast are the pick of 15,000 applicants from all parts of the This magnifying glass for fishermen enables them to state the dimensions of “the one that got away” with an air of sincerity that carries conviction. comicbooks.com