Judge — May 29, 1926 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

GING, ‘he MOVIES* | “The Big Parade”—The war itself. | ‘A Woman of the World"—Pola Negri startles the hicks. “Tumbleweeds”—Bill Hart comes back. “Lady Windermere's. Fan"—Not smart enough. Fanny Hurst's prize story. it for the chariot race. Tren must be a good many “Sea Beast"—Jack Barrymore, love and | know much about Harvard, but, people, taking the country as a The Black Bird’’~-Lon Chaney in rare form. believe me, such things just don’t whole, who never went to Har- ‘Moana of the South Seas"—Paradise happen there. . vard and can’t be expected to know, filmed on the spot. William Haines, who plays the therefore, that “Brown of Harvard” — | sacuth Giaciy oii Adulpie Mena” | title rdle, carries out Main street's never went there either. Not by “Mare Nostrum"—War tragedy from Ibanez. idea of a wise-cracking rah, rah with several thousand miles; not in npn ores Garbo and sophistication, a good deal of spirit and charm. If spirit or by proxy or by a damsite, bert enact the old story only such beings as the stage colle- or in any other way. Brown be- wn Merried"—Richard Diz: makes it gian existed, I could applaud his longs not to Old Harvard but, re- “Irene” —Colleen Moore and a wardrobe. interpretation. :. . ‘The Black Pirate” —: i : motely, to Old Siwash, which never Beth i existed. And much the same is true Craven's comedy W's Hatcher Hughes wrote h.s of all his playmates in the picture. oe Camel Clg Smanon play, “Hell Bent fer Heaven * As to the action: shows how unpleasant she can be he centered it about the study of a When Brown first arrives in Cam- iit Barrier tee eed Lisnel Beteyasore young fanatic who found religious bridge he mistakes the Dickey club- “The Decil’s Circus"—Wartime melodrama. justification for all his criminal acts house for his dormitory and is thrown pot Nome of Lies” —Balkan romance with and intrigues. But the movie ver- out on his ear. Nothing daunted, “Bride of the Storm"—Dolores Costello is sion makes of him a commonplace fick up” : ighthouse. re) leant. , he proceeds to “pick up” the pretty ST aay Pea eestaaty Task hypocrite and skunk, and of the play daughter of a professor. The follow- and melodramatized to a fareyouwell. itself a typical melodrama of the hill- ing spring, the night before the boat we bee ee ~oAsthue, Thain's story billy school. You will recognize the races at New London, he gets stewed, “For Heaven's Sake”—Good Harold Lloyd setting—mountaineer’s cabin, back- although he is substitute stroke on TET ‘sacs: ‘cctactigr=<xaaye ‘eagen ground of an ancient feud, rough, the freshman crew and is called makes it worth seeing. honest hearts with hair-trigger sus- upon to row the race, which he loses. penteet = Norma Talinaee tna bowdlerised ceptibilities, and the rustic version of Finally, with his help, Harvard licks “That's My Baby” —Farce potpourri. the Southern drawl. The climax of , F “The Runaway"—Hill-billy romance. taneweu will also xeenoni Yale at football ten to three. Is it “Skinner's Dress Sut"-*Pame comedy. the action you will also recognize— necessary to go on? You may not a terrifying flood: let loose upon the comicbooks.com