Judge — May 15, 1926 — page 24: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

you can pos the _ cenic regions of the West at very reasonable orado New Mexico-Arizona Rockies ~~ and the National Parks - Onyour way to fand Canyon or Cali Take the Indian-detour—the newest way to see oldest America. A three-day motor tour in luxurious Harveycars thru a region rich in historyand mystery. Only $45 extra, with everything provided — meals, lodging and motor transporta- tion. Santa Fe—Fred Harvey management. Ask for special Indian-detour folder * * mail this¥ f. nta Fe Sys. Mz W. J. Black, summer trip to 1110 Railway E: Chi Wou!? like information regai There will be scsseseses persons in party, Qi Indicate by X if Grade or High School stu- dent. Also mail descriptive travel folders. | DOLPHE Mensou is good in any- thing, even in “A Social Cel rity.” Here is a picture thatis without any importance whatsoever. It parades a hokum that was old when Columbus discovered America. Yet he makes of it a graceful medium for the quiet, completely natural comedy of which he is a pastmaster. Max Haber, in the person of the incomparable Adolphe, is a small- town barber. He and his girl are bitten by the success bug. They migrate to New York, where she becomes a cabaret singer and he mas- querades in borrowed clothes as a French count. He does it beauti- fully, as no barber who has ever breathed his sweet nothings into my defenseless ear could do it. But in the end he is unmasked and humili- ated and he and his girl decide there is nothing in the success business Why pretend to be other than we are So back they go to the country barber shop and Hymen and happi- penoitior, OVIES: ¥ ness everlasting, just as if the Amer- ican Magazine had never existed. Of the other players I liked best Louise Brooks, who takes the part of Max’s girl, and Roger Davis, the best he-flapper on the screen. As a piece of highly bred cheese that man is incomparable. F you who saw the play can imagine a denatured “Kiki,” salted with hints of eventual matrimony to get it by the censors, you can visualiz the picture of the same name. The picture suffers by comparison with the play and so does Norma Tal- madge’s performance with that of Lenore Ulric. There is a tameness about the screen version that is foreign to the original. That vulgar thing we like to call refinement has been added, to make it safe for democracy. This is one of those pictures that offers nothing which can’t be done better on the speaking stage. On the wequest 8 “« HORSES $ oO c OKO tel, OorE es miss OP yor comicbooks.com