Judge — April 24, 1926 — page 32: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

over twenty, but she knew her little book, And her manner was so innocently fran That wher he wanted something, she'd a: ertain look, And, Mpeaily, he’d have gone and robbed @ bank. From SATIRE& SONG MAURICE SWITZER A business man with a keen but Kindly sense of humor. who has mut Into verse some of his many impressions of human nature. Privately printed in a limited edition, of which we have a few copies, which we want to distribute among those who have an apprecia- tion of the sort of easy-reading verse which burns a hole in the memory. This volume is uniquely Shanuested J e color and attractively bound in an Art Binding. Size 614 x 8% inches Our, supply. Is limited, but we will gladly send your copy, postpald, to any address, upon receipt of One Dollar BRUNSWICK SUBSCRIPTION CO. 627 WEST 43d STREET, NEW YORK alas oe ill-shapen from If your is ise, te a Deinlessty cos on any cause, it may by the use of the pT eoeetade ANITA NOSE ‘ADJUSTER a a DEK Eg om es turned up) erbulbowsnose PREE BOOKLET ON REQUEST = —C—> ANITA ©. arta ite, pepe. 690 Newari, Nod ahectwoteTh Applause Card For the Funniest Contri- bution of 1926 Dear JupcE: I think the picture in this issue BY oe sseccsrasseysncwprarseqiereorvisiarsiareisieauere And the Text in this issue BY is.csnrejeutinicinnetoseseitiiiecasesUatineeléesion Should be entered in the Contest for the Funniest Contribution of 1926. (Name) . 2.6... cece eee eeeee eens (Address). . (Week of April 24)” At the end of the year, the artist and the writer sehawe contribution series the largeat number of roles, twill each receive a 8600 Prize. Vole Your Fasoritel Judging the Movies (Continued from page 18) jail and the tragedy I have outlined occurs. Along comes the war, and four years later the dénouement. Mary and her lover find each other. She explains her betrayal, and he goeslook- ing for vengeance. He finds the lion tamer a blind beggar, and Yonna, the lady who threw the switch, a street walker—and he believes in God. N the little kingdom of Transyl- vania, somewhere in the Balkans, there was helltopay, as the old saying goes. Vorski, the tyrant, had led a palace revolution against the legiti- mate queen and she had fled in her coach, which was later found empty in the river. The peasants were clamoring for bread while the usurper sneered at them from behind the leaded panes of the palace windows and wasted their substance on cham- pagne suppers. Over here, meanwhile, Olga Kriga cooked dinners and scrubbed floors for a slatternly landlady. She was beautiful, was Olga, as beautiful as only Pola Negri can be even in home- spun, and she resembled the van- ished queen of Transylvania to the very pencil on her eyebrows. So much so that Karl, the queen’s old bodyguard, got down on his knees when he happened across her, and Count Mirko, the queen’s old minis- ter, conceived the idea of taking her back with him to Transylvania, pass- ing her off on the peasantsas their mi: ing queen, and shaking down Vors for the price of her disappearance. Of course, Mirko reckoned without Waiter (to hotel manager)—I think it’s about time you spoke to him, sir. He’s just put a pancake under his chin, and is eating his ser tte. — Gaiety, his Hollywood. Olga, or Pola, puts the queen business over so hard that not even he, in the person of Noah Beery, can call her off. There is only one who can and that (you have guessed it!) is John Knight (Robert Ames), her 100 per cent. American feller. He does, but not until she has ousted Vorski and tamed Mirko and restored prosperity to her realm —a matter of a few months. “The Crown of Lies” is a splendid example of the silly cinema piffle on which the talents of a good actress can be wasted. T= acting of Otto Mattieson, as Hans Kroon, a half-wit, is the one thing that prevents “Bride of the Storm,” with Dolores Costello, from being just another movie. His per- formance is beautifully restrained and convincing during all but the climax of the melodrama when he has to chop the props from under the burning lighthouse. But in this the story, not he, is at fault. “Bride of the Storm” employs most of the old standbys, including a United States Naval hero and a parcel of clownish gobs. I doubt if they faithfully represent our first line of defense even under Secretary Wilbur. tae There are now over 69,000 insured persons in Croydon. Some complain that motorists deliberately drive round them. | —London Opinion tae First Humorist—Do you read your jokes to your wife? Second Humorist—Yes, and when she doesn’t laugh I know it’s a good joke. —Kasper (Stockholm) comicbooks.com