Judge, 1926-04-24 · page 11 of 36
Judge — April 24, 1926 — page 11: what you’re looking at
What you’re looking at
# "High Hat" Page Analysis This page from Judge magazine (circa mid-1920s) contains two distinct satirical pieces: **"High Hat" Column** (left): A gossipy society commentary on 1920s slang and fashion. The author mocks new flapper terminology ("hairpin" = outdated girl; "flamp" = half-flapper/half-vamp; "swinging" = petting). This reflects contemporary anxiety about rapid social change, particularly young women's increasingly liberated behavior. The column ridicules both the slang itself and people who pretend to understand it. **"Reckless Wives" Story** (right): A dramatic narrative about infidelity. Peter Bimpf discovers his wife sending a telegram to another man arranging a secret meeting. The satire critiques 1920s "modern" women who, despite newfound independence, were stereotyped as morally loose or unfaithful—playing on conservative fears about changing gender roles. The juxtaposition satirizes both youth culture's frivolousness and anxieties about women's independence undermining traditional marriage.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
New expressions have been coming in thick and fast this past week... . . it’s a curious thing don’t thin’ I've heard anything worth mention- ing for the past six months and then suddenly I hear three or four new remarks and hear the same ones pulled by several different people 's like the “origin of the Charleston” joke that's going the rounds the first one I heard was pulled by a dazzling young flapper ..... she referred to another girl as a “hairpin” and when I asked her politely what that meant she snapped “a back number!” A little later I mentioned to another young “feminist” what the dazzling young flapper had said about the party of the first part and she retorted, “Oh, all that ‘flamp’ thinks about is ‘swinging!’ ” I tried to look very cagey and laughed knowingly, but when I got a chance I rushed back to the dazzling young flapper and asked her what it all meant ..... “a ‘flamp’ is a half flapper, half vamp,” she murmured, “and ‘swing- ing’ is petting!” and that’s that! Got a nice new autographed copy of “Nize Baby,” from Milt Gross, our demon artist and gag man, the other day, and took it home and read it aloud to my kid sister... . . outside dislocated jaw from reading the darn thing and a couple of sprained ribs from laughing, we spent a dandy evening. Milt! Sotch a book what you've ridden! It's a sockcess! p> Speaking of books, I think T'll follow the usual custom of the book reviewers and list here the books which I've enjo; “American Tragedy,” “The Black Flemings,” “No More Parades,” “Pig Iron,” “Gentlemen Prefer Blondes” and “Cover Charge.” I'll probably get an awful razzing for listing the last one, but that’s my story and I'll stick to it! I notice that George Nathan, the theatrical critic, is still passing nasty cracks about my liking “The Wisdom Tooth.” ..... I'm just waiting, that's all, until some show comes along that he likes! Just waiting, that’s all. If I live long enough I'll get even! he We note with great expectancy that Sir Charles Higham, a British advertising man, has brought over to this arid country a new drink which he claims has a real kick and no following headache .. it is made solely of black tea... .. I'm going right home and bottle some to-night and will let you know the results next week. pf And speaking of drinks, have you seen the new Pogostick cocktail shakers? ..... at a recent party the host came bounding in on a pogo stick to the end of which was at- tached a shaker! rather start- ling to say the least Cael The Six Best “Steppers:” “The Blue Room” (The Girl Friend). “The Girl Friend (The Girl Friend). “After I Say I'm Sorry”? (No show). “WwW Away Your Blues” (Greenwich Follies). “A Girl in Your Arms” (Sweet- heart Time). “No Fooling” (Palm Beach Nights). Gry “Reckless Wives” ETER J. Brrr left his office promptly at noon and was strolling along Forty-second street when he happened to glance in the open door of a telegraph office. Some- thing he saw in there brought him up short. That something was a hat, and under the hat was Peter Bimpf’s wife. She was evidently sending a tele- gram, her back was toward the street. So Peter entered unobserved and was about to surprise his wife with a tap on the shoulder when the message she was writing caught his eye. It was addressed to Mr. Rudolf Van Houghton, Windsmere Apartments, Asheville, N.C. Bimpf’s arm paused in its descent. Fascinated he watched her write on: “Dearest, will meet you Thurs noon, Biltmore lobby, love and kisses.”” Not until she had signed her name did Bimpf move. Then, with a trembling hand, he caught her arm. “Ethel,” he cried. “Do you realize what you're doing? Do you want to ruin me? Don’t send it, Ethel, for God's sake don’t!” “Peter!” Peter!” “I know I should have told you. I truly intended to and I really don’t care the tiniest bit about Rudolf, but—” “Rudolf be shouted Peter. “How many times must I tell you that every word over ten costs extra, and here you've written eleven again! Jack Shuttleworth gasped Ethel. “Oh, damned!” “SOME. OUTDOOR GALS “Is this a fair?” said a stranger, stopping in front of a place where a Jestival was being held and addressing replied the citizen, “they call it fair, but they take everybody in.” The laughter was general. comicbooks.com