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Judge, 1926-04-17 · page 26 of 36

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WEB rter No More Skidding Garters! way—and only in Bostons ehad. Even when worn very I it will not slip." It cannot curl and yet it is rl kably soft and light Here in fact is al ventilated web garter. In many pleasing colors, 50c the pair. GEORGE FROST COMPANY, Hoston, Makers of Velvet Grip Hose Supporters for All the Family How Did Your Garters Look This Morning? A New Art Print By Delevante ‘““TIME”’ In anticipation of the usual requests for copies, we have printed a limited quantity of Art Prints of the very interesting and timely Urawing shown on the center pages of this issue of Jupct While they last, you may have this pic- ture, printed in one color from the original engravings, on heavy Art Mat, size 19x 15 inches, with wide margins, ready for framing. Prints will be sent postage pre- paid upon receipt of 50 cents each JUDGE Art Print Department 627 West 43d Street, New York FOR DANDRUFF GLOVER’S exercises an antiseptic effectonthescalp. Cleanses,stim- ulates. Send for GLOVER’S HANDBOOK on the Scalp and Hair; free on request. It_will tell you. many things you should know. rite H.ClayGloverCo.,.nc.s 119-121 Fifth Aves New York Cortes (GARS -MADE AT KEY WEST-—— SOCIETY NOTE Mr. Van Cortlandt is entertaining his niece. Words and Music W N I dashed into Harry rris’ room up on West Forty- eighth street, I found the erstwhile king of New York's “Tin Pan Alley” flat on his back, sobbing like a baby. “What, ho, Harry,” I breez’ announced, “and why does the famous author of ‘My Pixie Trixie from Dixie’ and ‘Croonin’ California’ weep and lament? Does he not col- lect handsome royalties on ‘Sammy Mammy’ and ‘You've Got to Whip Wifie Every Week’?” “True, old man,” sobbed Harry, “but my eareer is at an end. [ean never write another popular song. I might just as well get a job as a saxophone player and drown my ut, tut,” I tutted, “come and tell father why you take on so—'tis conduct most unseemly for one who vomposed ‘My Mild Irish Nose.’ ” “It's this way,” wailed Harry, “I can't turn out any more melodies. I've used all of the available tunes I could possibly steal from Beethoven, Liszt, Schubert and Verdi; there are none left for me to—er—interpolate,” he added, as the tears rolled down his cheeks. “Pretty serious, old boy,” I mur- mured, “have you tried Mendelssohn, Gounod, Chopin and Rossini?” “Every one of them,” piteously moaned the melody man, “even Handel and Massenet. I tell you I'm done writing—there’s no one left I can filch themes from.” Frankly, it was a pathetic moment. Sadly, I gazed out of the window. Was there not some way to help this young genius? And then suddenly it came to me! Wheeling about, I exclaimed, “I've got it, Harry—I've got it!” “Well, well?” he impatiently ques- tioned, “I suppose you're going to suggest Wagner. There's no use. I used all of his o, Har got an old idea, but it’s new to you: why not write some original melo- dies?” His face brightened and even a furtive smile pk layed about the cor ners of his mouth, as he iswered. “You know, I’ve been writing popu- lar songs for ten years and T never thought of that before.” Arthur L. Lippmann To save their instruments from be- ing damaged by furious people, phone company is installing punching bags for folks to relieve their feelings. comicbooks.com